In this episode of 'Do I Like It,' Prateek Lidhoo dives into the explosive success of Hanumankind's track 'Big Dawgs,' which has taken the international hip hop community by storm. With a Texas-influenced sound and a video that's a perfect blend of desi and global elements, this Bangalore-based rapper is making waves far beyond India's borders. We analyse what makes this track stand out, from its Southern American flow to its raw video. Tune in to hear why even OGs like Project Pat are sharing this banger and what it means for the future of Desi Hip Hop.
Learn more about your ad choices. Visit megaphone.fm/adchoices
[00:00:00] Hello and welcome to Do I Like It, a show where we talk about everything.
[00:00:03] And in this episode, we'll talk about a rapper who has literally put Desi Hip Hop on the map.
[00:00:09] And I'm not talking about Raftar or Divine or Brother V.
[00:00:13] I'm talking about an Indian rapper who's American people are calling their cousin.
[00:00:17] His old man from Bangalore, from Texas, I'm talking about Hanumankind and his insane banger Big Dawgs.
[00:00:24] The song has taken the international hip hop community by storm. The video directed by Bijoyesh Etty already has 7 million views on YouTube.
[00:00:33] And even an OG like Project Pat has shared the video.
[00:00:36] So, that's not a small thing.
[00:00:38] But we'll see in this episode what's in this song that it's so broken.
[00:00:43] It's not the first track by Hanumankind, it's not the first Indian hip hop song that's in English.
[00:00:48] It's also not the first time Indian rappers got the attention of American reaction channels.
[00:00:52] If you type on YouTube, Indian rapper reaction, you'll get so many tracks by Krishna, Brother V, Raftar, Seedha Moth, etc.
[00:00:59] But this one feels different.
[00:01:00] So, let's dive a little deeper on what actually worked for Hanumankind and Big Dawgs.
[00:01:06] First, let's talk a bit about the artist.
[00:01:08] Suraj Cherukat aka Hanumankind is a rapper out of the Bangalore hip hop scene.
[00:01:12] He started making waves a few years ago with his EP Kallari.
[00:01:15] But the dude has been at it for some time.
[00:01:18] I had met him first in Bangalore in 2017.
[00:01:20] He went by the stage name Bad Influence at the time.
[00:01:23] And, brother, he had superstar written all over him.
[00:01:26] We were competing in a rap competition.
[00:01:28] Brother V and Smokey were the judges.
[00:01:30] And, bro, he smoked all of us in the final round.
[00:01:33] He spit his Super Mario freestyle.
[00:01:35] And, bro, we ended up with him.
[00:01:37] And I've been looking out for his music ever since.
[00:01:40] And, brother, it's so nice to see you.
[00:01:41] If someone knows someone's name, I can't even tell you.
[00:01:44] I've also told you that the main reason it worked outside India was because the structure of the song was very western in its arrangement and songwriting.
[00:01:53] And with this, there was something like that.
[00:01:55] Look, Suraj lived in Texas when he was younger.
[00:01:58] So, obviously, he would have heard local legends like 3-6 Mafia, Project Pat, UGK and all in his childhood.
[00:02:04] And that influence is clear in his music.
[00:02:06] Even his accent is not the usual Firangi accent.
[00:02:10] The way he twists the ending of his words.
[00:02:12] It is a very Southern American style.
[00:02:15] In many reaction videos, people were actually surprised that he's Indian.
[00:02:18] Because in his performance and conduct on the mic, there's nothing really desi about him.
[00:02:23] At least by the way he sounds.
[00:02:24] Even the beat has a very in sound.
[00:02:27] Now, look.
[00:02:27] In Indian Hip Hop, there were two major eras that exploded in the mainstream.
[00:02:32] Pre-2015-16, there was this very poppy, synth-based, electronic sound that we had.
[00:02:37] Referred to early Bohemia, Iktira Pyaar, Brother Viz, Atma Rama and Krishna's English songs.
[00:02:43] Very synth-heavy, pad-heavy, club-friendly pop drums.
[00:02:46] And post-2017, there was suddenly this explosion of trap.
[00:02:50] With acts like Siddha Maut says and of course Bombay Kaju artists and Divine M.U. etc.
[00:02:54] It was a very dope, hard sound that Indian Hip Hop had.
[00:02:58] And now, in the post-trap, post-Gully Boy era,
[00:03:01] the gap between India and USA has reduced greatly due to Reels and TikTok.
[00:03:06] So, today's Hip Hop sounds are very diverse.
[00:03:09] So many sub-genres are thriving at the same time.
[00:03:11] There's melodic trap, there's dark grungy boom bap, drill.
[00:03:15] There's a lot of beats in the background.
[00:03:18] And there's a new sound coming out, which is this punk rage sound.
[00:03:23] With artists like Travis Scott, Yeet and Playboy Karti.
[00:03:25] Big Dogs has such high energy beats.
[00:03:27] It's so simple beats, it's 100 beats and just 808 beats.
[00:03:32] I think it's more than 45 tracks.
[00:03:34] I also like the chopped and screwed outro, which is a nod to DJ Screw, a Texas legend.
[00:03:38] But yeah, unlike Yeet and Karti, Suraj has brought top tier lyricism to this simple and tight production.
[00:03:44] Again, it's almost like you're listening to a Memphis rapper.
[00:03:48] The first line is the song's first line, wait a minute, get it how you live it.
[00:03:51] And interpolation of Eniadi and Rihanna's Lemon.
[00:03:54] It was also the name of Hotboyz's debut album, which released in the same year I was born.
[00:03:58] But yeah, the lyrics are filled with references to Southern hip-hop's most iconic bars.
[00:04:04] Like when he says, I'm the big stepper in that classic Project Pact style.
[00:04:08] A lot of people are saying that the flow was copied from Drake's knife talk.
[00:04:11] But actually even that was a homage to Project Pact's classic A.
[00:04:15] Big stepper, money in the dress, that's it.
[00:04:19] It's so cool that today, the South is making such a cool comeback in mainstream hip-hop culture.
[00:04:25] Like Atlanta has always been a center of hip-hop.
[00:04:28] But today, places like Memphis, Houston and New Orleans are getting their well-deserved due.
[00:04:33] Remember Kendrick Lamar's element flow?
[00:04:35] People thought they wasn't gonna see me, huh?
[00:04:37] That was juvenile flow.
[00:04:39] Eminem also did that flow on his latest album.
[00:04:41] It's so cool, from the South got something to say.
[00:04:44] Hip-hop has come such a long way.
[00:04:46] Even the subject matter of HMK's rhymes is very American.
[00:04:50] The slang he uses, pouring up for the people who are gone, RIP,
[00:04:54] these things are outside.
[00:04:55] If we say a drink and funeral, we'll sing it.
[00:04:58] So it's not surprising that people outside India related to this song so well.
[00:05:03] But now you'll say that this is American.
[00:05:06] Beat is American, accent and flow is Southern.
[00:05:09] Even the references, top-notch, who are the most, not the lesser, from UGK's International Players Anthem.
[00:05:15] So what's in this song actually?
[00:05:18] Bro, video.
[00:05:20] We all like to represent our culture in our art.
[00:05:23] And knowingly or unknowingly, our influences come from our art.
[00:05:26] Now Hanuman Kind is in Houston, he hears it in his accent and flows.
[00:05:30] But bro, that person is Bangalore and Malayali.
[00:05:34] And that is seen in the way he embraces Indian popular culture and signifiers.
[00:05:38] Unlike a regular Desi Rap video, there isn't a studio, no cars, models or dancers.
[00:05:44] Just a regular day in an Indian circus.
[00:05:46] As I watch this video, I'm doing cash money videos.
[00:05:49] Life in the hood, simple static shots of a baby crying, some people playing dice, etc.
[00:05:54] Just embracing the life people live.
[00:05:57] There are fancy cars, but it's also in the hood.
[00:06:00] And it's still hardcore.
[00:06:01] Just look at that woman being a total badass on that bike.
[00:06:05] I've always wanted to go to a moth-ka-cuna live in a circus.
[00:06:08] I could never do it.
[00:06:09] But this video is making me live that vicariously.
[00:06:12] So bro, the video strikes a perfect balance between Desi and Global.
[00:06:16] And I think that's what Americans love.
[00:06:19] A rooted cultural story packed in a globally palatable style.
[00:06:23] Whether you watch RRR or Squid Games, this basic thing is common between them all.
[00:06:28] The people like the public in the firing packaging.
[00:06:31] And I think that was the reason for even Kantara's huge success.
[00:06:35] But man, I'm afraid of these things.
[00:06:38] When anything happens, everyone will inspire it.
[00:06:41] And honestly speaking, it's not a bad thing to inspire.
[00:06:44] But you're inspired by what you're doing is that it's very important.
[00:06:47] Now, like Barbie was released, Mattel announced a franchise of Toys.
[00:06:51] If one of the Marvel Cinematic Universe was released,
[00:06:53] then everyone had to make a connected film.
[00:06:55] If one of the Prateek was released, then everyone started singing on guitar.
[00:06:59] And now this.
[00:07:01] I won't be surprised if in the coming months, we see more such tracks tailor-made to appeal to American sensibilities.
[00:07:08] With their references and their lingo, all sounding very fake coming from a Desi rapper.
[00:07:13] Man, it suits Hanuman kind because it's life is a good thing.
[00:07:16] We're like Kochi and Barafpani people.
[00:07:18] Why are we gun bars?
[00:07:20] And if your favorite rapper is a video on the roller coaster or on the Columbus,
[00:07:24] and you're like, you can make a video on the GoPro.
[00:07:26] So, you understand where inspiration comes from.
[00:07:29] But jokes aside, I think if you have to learn something from this song,
[00:07:32] then it's the way that it's related to your roots and influences and how to stay slick at the same time.
[00:07:40] In English, there's no problem with rap.
[00:07:42] But if you're talking about this song or you're talking about N-word,
[00:07:46] then you're actively going against the spirit of hip-hop.
[00:07:50] I was in my first year and Arshak Malik was taking my audition for our college's music club.
[00:07:56] I spit a rap verse in English.
[00:07:57] It was a very pretentious southern accent.
[00:08:00] It was top, tap and R and all of that.
[00:08:04] And he was like, dude, your rhymes are sick.
[00:08:05] But do you have to rap in that accent?
[00:08:07] And that shit hit me so hard.
[00:08:09] Sometimes it gets out of the bottom,
[00:08:10] but I actively try to bring out my lived experience and slang in my rhymes.
[00:08:16] And that's the story telling,
[00:08:17] you've lived a little imagination and make something new.
[00:08:21] Or else, AIB is writing rap today.
[00:08:23] And yes, these were some of my thoughts on Hanuman Kind's Big Dogs.
[00:08:27] I like both the songs and artists.
[00:08:29] But you know what my favourite track of his is?
[00:08:32] It's an old song from one of his SoundCloud mixtapes.
[00:08:35] It was about him writing two letters in two verses.
[00:08:38] One to his mother and one to his father.
[00:08:40] The song is called Two Letters, I think.
[00:08:41] Zaroor, Sunna.
[00:08:42] But tum badau, yaar.
[00:08:43] Tumhe ye gana kaisa laga?
[00:08:44] And which is the next underground rapper you want to see burst into the scene?
[00:08:48] Drop their names in the comments below.
[00:08:49] As always, the conversation continues down.
[00:08:52] This was Prateek and I'll see you in the next one.
[00:08:57] You were listening to The Quince Podcast.


