Ep. 172 9XM Soundcaste Ft. Anand Bhaskar

[00:00:00] आज में साथ हैं एक ऐसे Music Composer, Singer

[00:00:04] whose music we all have loved, enjoyed specially on OTT platforms

[00:00:10] ऐसा कह सकते हैं कि OTT दुन्या के Music scape को वो रूल करते हैं

[00:00:16] Let's see who is with us on this Podcast

[00:00:20] Hey Anand, Hi, Welcome on 9XM Soundcast

[00:00:24] Thank you, Thank you, Hi

[00:00:25] I am so glad that we have you

[00:00:28] We totally missed meeting you during the launch, the release of Showtime

[00:00:34] And I think you have come a long way because we all have enjoyed

[00:00:40] Anand Bhaskar Collective specially on YouTube

[00:00:44] Long before this entire indie music revolution started

[00:00:50] I must say that right from Mirzapur to the 1, 2, 3 CDs

[00:00:55] You have come a long way

[00:00:57] So it's absolutely our pleasure to have you on the Podcast

[00:01:01] Thank you, thank you for recognizing my work

[00:01:04] It's refreshing that people actually are aware of what I have done

[00:01:08] Before actually calling me on Podcasts

[00:01:11] One thing I can say is

[00:01:13] Not one word but there are two words to describe Anand Bhaskar's music

[00:01:20] If you had to

[00:01:21] Colorful surprises

[00:01:24] It's always varied

[00:01:26] Your soundscape, be it in your independent releases

[00:01:31] Way before the release of Showtime

[00:01:33] It's always varied

[00:01:34] It's always varied

[00:01:37] So for me

[00:01:38] I think I am the one who has to be in the

[00:01:55] The right path

[00:01:57] I think I am the one who has to be in the

[00:02:01] Right path

[00:02:03] So for me

[00:02:05] I think I am the one who is getting surprised by these compositions and these beats

[00:02:11] Because

[00:02:15] For me

[00:02:16] I write a vocal melody

[00:02:18] That's my first goal

[00:02:21] First of all I make the tune

[00:02:23] And then the genre in which the tune should go

[00:02:27] It reflects the composition of that tune

[00:02:30] So for me

[00:02:31] When I was working on Nezapur Season 1

[00:02:34] The first brief I got was to write a Sufi song

[00:02:38] And I had never done Sufi in that space ever

[00:02:42] I am somebody who grew up listening to a lot of rock and Indian classical music

[00:02:47] So when I got that reference

[00:02:50] I think it was some Coke Studios song reference I remember

[00:02:53] And the first reaction was I was so scared

[00:02:56] How will I kind of create this

[00:02:58] Because I don't have those influences on me

[00:03:00] So I did a lot of listening

[00:03:02] I listened to a lot of songs in that space

[00:03:05] And then I ended up writing something which the directors and producers liked

[00:03:10] And that song is called Varu

[00:03:12] Which was on Season 1

[00:03:15] Yes beautifully sung by Rumi

[00:03:17] We have had him on the podcast

[00:03:19] Rumi even he sang on Showtime as well

[00:03:22] He is a very dear friend of mine

[00:03:24] I know

[00:03:25] Best vocalist I have worked with

[00:03:27] So when Varu was there

[00:03:29] Then they were like

[00:03:30] Can you make a Hoshpuri song

[00:03:32] So you were like power dot

[00:03:34] I am like they are just throwing me a curve ball

[00:03:38] Like one after the other

[00:03:39] And then they made that and they liked it

[00:03:42] And it's a really funny song

[00:03:44] And then they said

[00:03:46] Can you write a Punjabi wedding song

[00:03:48] And then I wrote it

[00:03:49] So then I went with this

[00:03:51] With that project I realised that

[00:03:53] Okay maybe I can do this

[00:03:55] And then I think the variety really comes from the place

[00:03:58] And the directors that I work with

[00:04:00] Because fortunately the directors

[00:04:03] With me, who I have worked with

[00:04:07] They are also musically inclined

[00:04:09] They are so aware of what they want

[00:04:12] And clear from the get go

[00:04:14] That this space is needed

[00:04:16] Now the directors that I work with

[00:04:18] They are like

[00:04:19] I am like I work with them so much that

[00:04:21] If I voice mail them on WhatsApp

[00:04:23] If I send them the hum

[00:04:25] They immediately know

[00:04:27] What instrumentation will come here

[00:04:29] And what it will sound like as a finished product

[00:04:32] So I think variety really comes from them

[00:04:34] I am a guy who just knows how to write

[00:04:37] The vocal melody and then build the music out of it

[00:04:40] So I think it's the credit goes to them

[00:04:43] For my IT

[00:04:44] Lovely

[00:04:45] You know Anand ji

[00:04:46] Today after so many years

[00:04:48] Of OTT

[00:04:50] Which is now a very normal platform in our life

[00:04:54] It has become a mainstream

[00:04:56] Which can be said that the platform has become OTT

[00:04:59] But when in the beginning

[00:05:01] You know when

[00:05:02] You know music

[00:05:04] In the world of OTT

[00:05:06] Was like a big

[00:05:08] You know jarring idea

[00:05:10] Where it was hardcore content

[00:05:12] Script

[00:05:13] And you know

[00:05:15] In Bollywood music is a very important element

[00:05:18] Nobody expected music to be

[00:05:21] Such an important

[00:05:23] You know element

[00:05:25] In most of our Indian

[00:05:27] You know web series

[00:05:28] So

[00:05:29] That whole graph

[00:05:31] Which you saw

[00:05:33] You know and you were a part of that

[00:05:35] So something above that

[00:05:37] You know how music has

[00:05:39] Completely ruled this OTT

[00:05:41] See we are Indians

[00:05:43] We have a song in our culture

[00:05:46] Means our social fabric

[00:05:48] Is so important

[00:05:50] That we can't really ignore it

[00:05:52] Absolutely

[00:05:53] Even if we want to

[00:05:54] Right

[00:05:55] And in that also I think there are demarcations

[00:05:57] Like for example

[00:05:58] When we are talking about films

[00:06:01] Songs are very very important

[00:06:03] Which is why the songs are given that much

[00:06:05] Impetus and

[00:06:07] So much promotion will be there

[00:06:09] And then there's the score

[00:06:11] But I still think the score is a lot more important than songs

[00:06:14] Because

[00:06:15] If you are watching a movie

[00:06:16] And you are watching the songs

[00:06:17] And you are muting

[00:06:18] Then people will still watch the movie

[00:06:20] But if you have muted the background score

[00:06:23] The story will not come alive at points that it needs to be

[00:06:27] Lovely

[00:06:28] You know

[00:06:29] So I think what happened with OTT

[00:06:31] Was that

[00:06:33] Because Bollywood

[00:06:35] As a film industry

[00:06:37] Along with the fact that

[00:06:39] They want

[00:06:40] They are writing artistic stories

[00:06:41] It's also business

[00:06:43] And when it's business

[00:06:45] There are a lot of decisions that are

[00:06:47] Driven by profits

[00:06:49] Right

[00:06:50] So

[00:06:51] If somebody is doing a good job

[00:06:53] You know

[00:06:54] There are these top composers like

[00:06:56] Amit Siviyan, Prithal, Vaiman sir

[00:06:58] People will go to them because they have proved themselves

[00:07:00] It's sort of hard for new workers

[00:07:02] To come and

[00:07:04] Get projects

[00:07:05] Like for example

[00:07:06] How we got

[00:07:08] You know

[00:07:09] Sort of exploded

[00:07:10] Was because of them

[00:07:12] It's very hard for people to do that now

[00:07:14] Because every film has 5 composers

[00:07:16] It's like a big career song

[00:07:18] Like I say that a lot of times

[00:07:20] You know

[00:07:21] Instead of one composer

[00:07:22] Kind of giving the projects

[00:07:24] Like musical identity

[00:07:25] However

[00:07:26] With OTT

[00:07:27] What happened was that

[00:07:28] It democratized the process

[00:07:30] No

[00:07:31] Like you said

[00:07:32] And

[00:07:33] Because it was a new space

[00:07:35] Newer producers were

[00:07:37] Willing to try

[00:07:38] Newer styles of stories

[00:07:40] Newer styles of filmmaking

[00:07:41] And newer composers

[00:07:42] And newer musicians

[00:07:43] A lot of independent musicians

[00:07:45] Kind of

[00:07:46] Got their foot in the door

[00:07:47] And I was one

[00:07:48] You know

[00:07:49] So

[00:07:50] The growth

[00:07:51] Then

[00:07:52] Initially also

[00:07:53] There was not a lot of focus on

[00:07:55] Making the music

[00:07:56] Sort of

[00:07:57] An important promotion point

[00:08:00] For

[00:08:01] The show

[00:08:02] Or a film

[00:08:03] On OTT

[00:08:04] But say

[00:08:06] Scam ka title track

[00:08:07] By Hanchini

[00:08:08] Bikhiin

[00:08:09] By

[00:08:10] In the title track

[00:08:11] By Jon Stewart

[00:08:12] And

[00:08:13] You know

[00:08:14] Like

[00:08:15] That's when people sat

[00:08:16] And noticed

[00:08:17] That

[00:08:18] Over is also

[00:08:19] Kind of important

[00:08:20] People are listening

[00:08:21] To the score

[00:08:22] And that's when

[00:08:23] Initially

[00:08:24] It says

[00:08:25] That every time a project

[00:08:26] Would come out

[00:08:27] People would only

[00:08:28] Release the songs

[00:08:29] And the score

[00:08:30] Would never get released

[00:08:31] Like how internationally

[00:08:32] Will you see

[00:08:33] In a national film project

[00:08:34] So you have these

[00:08:35] Newer musicians

[00:08:36] Which are a part

[00:08:37] Of the score

[00:08:38] Of the film

[00:08:39] Now because

[00:08:40] OTT

[00:08:41] People like me

[00:08:42] Are able to

[00:08:43] Sort of release

[00:08:44] Even a score

[00:08:45] Piece without

[00:08:46] Any other word

[00:08:47] Like when I was

[00:08:48] Looking at the show

[00:08:49] About the mask

[00:08:50] Eventually

[00:08:51] It became

[00:08:52] A 17 track album

[00:08:54] Jis mein jo

[00:08:55] Poetrys

[00:08:56] Amne uski thi

[00:08:57] Amare jo

[00:08:58] Jis mein jo

[00:08:59] Poetrys

[00:09:00] We sent them

[00:09:01] To music pieces

[00:09:02] We released

[00:09:03] Pieces of

[00:09:04] Music

[00:09:05] That were important

[00:09:06] Themes for each character

[00:09:07] And even the songs

[00:09:08] Which were in the

[00:09:09] Poetrys

[00:09:10] Similarly for

[00:09:11] Showtime as well

[00:09:12] We did the same

[00:09:13] So I think

[00:09:14] The evolution of

[00:09:15] How music

[00:09:16] And not just songs

[00:09:17] But also the score

[00:09:18] You know

[00:09:19] And I hate

[00:09:20] Using the term

[00:09:21] Background music

[00:09:22] Because it's not

[00:09:23] Background music

[00:09:24] It's music

[00:09:25] Ideally the score

[00:09:26] Composers should

[00:09:27] Get the music credit

[00:09:28] And the song

[00:09:29] Composers should

[00:09:30] Get composer of songs

[00:09:31] We had a

[00:09:32] Salim Khan cinema

[00:09:33] On the spot

[00:09:34] Thus twice

[00:09:35] And we had

[00:09:36] We had a

[00:09:37] Very long

[00:09:38] Discussion on this

[00:09:39] And he said

[00:09:40] The same thing

[00:09:41] That you know

[00:09:42] How the score

[00:09:43] People who are

[00:09:44] Composing the score

[00:09:45] They should be

[00:09:46] Given equal

[00:09:47] It's a much harder job

[00:09:48] And it takes

[00:09:49] Way more time

[00:09:50] Than writing a song

[00:09:51] I can write a song

[00:09:52] In under 2 hours

[00:09:53] Give it to a music

[00:09:54] Producer

[00:09:55] Or producer myself

[00:09:56] And within

[00:09:57] A few hours

[00:09:58] I can write a song

[00:09:59] In under 2 hours

[00:10:00] And give it to a music

[00:10:01] Producer

[00:10:02] Or producer myself

[00:10:03] And within

[00:10:04] A few hours

[00:10:05] And within

[00:10:06] A week

[00:10:07] We'll have

[00:10:08] The finished product

[00:10:09] Right

[00:10:10] But to write a score

[00:10:11] For a movie

[00:10:12] It will take me

[00:10:13] At least 6 weeks

[00:10:14] To finish

[00:10:15] It from top to bottom

[00:10:16] Or in that

[00:10:17] If there is

[00:10:18] Edit change

[00:10:19] Then

[00:10:20] There is so much

[00:10:21] Difference

[00:10:22] By cutting back

[00:10:23] The music

[00:10:24] To make sure

[00:10:25] That it flows properly

[00:10:26] But in a score

[00:10:27] Score takes

[00:10:28] Way more time

[00:10:29] Than the song

[00:10:30] And doesn't even get

[00:10:31] A tenth of the credit

[00:10:32] Than the song

[00:10:33] That's like

[00:10:34] Really unfortunate

[00:10:35] But

[00:10:36] I am sure

[00:10:37] You know

[00:10:38] This will

[00:10:39] Change

[00:10:40] We'll talk about

[00:10:41] Showtime

[00:10:42] Before that

[00:10:43] Let's talk about

[00:10:44] You know

[00:10:45] Mirzapur

[00:10:46] You know

[00:10:47] Just

[00:10:48] It has evolved

[00:10:49] It has its own

[00:10:50] Identity

[00:10:51] Of its own

[00:10:52] Like you know

[00:10:53] Whenever we talk

[00:10:54] About Mirzapur

[00:10:55] So

[00:10:56] You know

[00:10:57] Its songs

[00:10:58] How did you

[00:10:59] You already told us

[00:11:00] That it was like

[00:11:01] A big surprise

[00:11:02] For you also

[00:11:03] That it was like

[00:11:04] A challenge

[00:11:05] For you as a musician

[00:11:06] So when it comes to songs

[00:11:07] Like for season 1

[00:11:08] You know

[00:11:09] I was

[00:11:10] I would like

[00:11:11] I mean

[00:11:12] Its gonna look

[00:11:13] It's reflect badly

[00:11:14] But I wasn't prepared

[00:11:15] For the kind of

[00:11:16] Briefs I would get

[00:11:17] What did you get

[00:11:18] I kind of like

[00:11:19] Went in line

[00:11:20] But after season 1

[00:11:21] I realized that

[00:11:22] Okay

[00:11:23] You know

[00:11:24] There are certain sensibilities

[00:11:25] And I worked with Mihir

[00:11:26] For the first time

[00:11:27] In Mirzapur

[00:11:28] Who was my director

[00:11:29] For Mawsut

[00:11:30] As a visual time

[00:11:31] And Mihir is somebody

[00:11:32] Who is

[00:11:33] So involved in music

[00:11:34] He is

[00:11:35] Its almost

[00:11:36] Like now we are telepathic

[00:11:37] Like

[00:11:38] I know what he is thinking

[00:11:39] He knows what I am thinking

[00:11:40] You know

[00:11:41] So working with him

[00:11:42] Has been

[00:11:43] One of the greatest learning experiences

[00:11:44] Of my life

[00:11:45] So after season 1

[00:11:46] When we start

[00:11:47] Aside from season 2

[00:11:48] I kind of already knew that

[00:11:49] Okay this is the world

[00:11:50] I am gonna stick to

[00:11:51] How do I bring my uniqueness to it

[00:11:52] So season 2 me ye hua ki

[00:11:53] Mihir

[00:11:55] Mihir ne kaha ki

[00:11:56] Now this time we have more songs

[00:11:58] We have 7 songs now

[00:11:59] And instead of the 3

[00:12:00] In the first season

[00:12:01] We have more songs

[00:12:02] And I was like

[00:12:03] Okay first season

[00:12:04] Achha ye hi hua tha ki

[00:12:05] First season's songs

[00:12:06] Hadn't released officially

[00:12:07] At that point in time

[00:12:08] And Varun somehow

[00:12:09] Went viral

[00:12:10] Yeah

[00:12:11] So I was like

[00:12:12] I was like

[00:12:13] I was like

[00:12:14] I was like

[00:12:15] I was like

[00:12:16] I was like

[00:12:17] I was like

[00:12:18] I was like

[00:12:19] I was like

[00:12:20] I was like

[00:12:21] I was like

[00:12:22] I was like

[00:12:23] Yeah

[00:12:24] So

[00:12:25] And everybody at Excel

[00:12:26] Also like

[00:12:27] What I did

[00:12:28] So now the pressure was double

[00:12:29] How do I top this

[00:12:31] You know

[00:12:32] My first impression on somebody

[00:12:33] Is good

[00:12:34] You know

[00:12:35] Somebody that Excel

[00:12:36] In fact

[00:12:37] Is good

[00:12:38] Abhi

[00:12:39] How do I

[00:12:40] Make a better impression

[00:12:41] So that was

[00:12:42] I think

[00:12:43] The kind of

[00:12:44] Pressure pointed me

[00:12:45] And when I sat with Mihir

[00:12:47] Then we started discussing these

[00:12:49] Different situations

[00:12:50] And there were more curves

[00:12:52] I had to write a song called

[00:12:54] Titar Vitar

[00:12:55] Which is

[00:12:56] Which is an item song

[00:12:57] And up until that time

[00:12:59] I hadn't

[00:13:00] Really given a thought about

[00:13:02] How item songs would be composed

[00:13:04] And

[00:13:05] And

[00:13:06] So

[00:13:07] When I was composing

[00:13:08] Then I realized

[00:13:09] Oh my god

[00:13:10] This is so hard

[00:13:11] So difficult

[00:13:12] Because when you write an item song

[00:13:14] The biggest risk is

[00:13:16] You will end up

[00:13:17] Sounding like another item song

[00:13:18] Yeah

[00:13:19] Because there is only so much

[00:13:20] You can do really

[00:13:21] Yeah

[00:13:22] So I was so

[00:13:24] It was so difficult for me and I

[00:13:26] Started listening to all the famous item songs

[00:13:28] All of them

[00:13:29] From

[00:13:30] Faray Call

[00:13:31] To

[00:13:32] Deepak mahan

[00:13:33] All of these

[00:13:34] And I am like

[00:13:35] You know there is this one

[00:13:36] Sort of

[00:13:37] Structure they follow

[00:13:38] Where there is a verse

[00:13:39] And then the pre-chorus kind of tips

[00:13:41] And then it leads to a very like

[00:13:43] Sort of

[00:13:44] Big chorus

[00:13:45] You know

[00:13:46] And

[00:13:47] And the chorus needs a catch phrase

[00:13:49] And all

[00:13:50] Me and I

[00:13:51] We were just

[00:13:52] Discussing the situation

[00:13:53] Of Tittar Vittar

[00:13:54] And usme kya tha ki

[00:13:56] A huge fight

[00:13:57] A gang fight

[00:13:58] That happens in the bar

[00:14:00] And I told Gini

[00:14:01] Me and I thought

[00:14:02] Aisa wajata hai

[00:14:03] Ki sab no Tittar Vittar wajata hai

[00:14:05] You know

[00:14:06] And then she was like

[00:14:07] Oh we could use that

[00:14:08] And then she kind of

[00:14:09] Built the lyrics based on that

[00:14:10] And you know

[00:14:11] We

[00:14:12] Like came up with

[00:14:13] Something like that

[00:14:14] Like my team and I

[00:14:15] We were

[00:14:16] Quite happy with the result

[00:14:17] You know

[00:14:18] Like okay

[00:14:19] We thought to it

[00:14:20] You can

[00:14:21] Kind of

[00:14:22] Do this

[00:14:23] Then there was another song

[00:14:24] In Mirza for season 2

[00:14:25] Which was

[00:14:26] Jo Beena character

[00:14:28] Halsika Pundal ka character

[00:14:29] Ondhaka baby shower hai

[00:14:30] Jo Be My Baby Shower

[00:14:32] Hota hai

[00:14:33] Wahan pe local songs

[00:14:34] Jo hota hai

[00:14:35] Ondhaka hoon ko sogar

[00:14:36] So

[00:14:37] Phir me

[00:14:38] Me ne Gini

[00:14:39] Ne bahut research ki

[00:14:40] Wo lyrics

[00:14:41] Ke research na chali gini

[00:14:42] Me musical stats ki

[00:14:43] Research chala gaya

[00:14:44] And she would also

[00:14:45] Keep sending me

[00:14:46] Acha listen to this

[00:14:47] Sogar

[00:14:48] Aise garken

[00:14:49] And we wrote a song

[00:14:50] Called Lallan Va

[00:14:51] And

[00:14:52] When I wrote it

[00:14:53] For the

[00:14:54] Episode

[00:14:55] Me heer came up with

[00:14:56] The idea

[00:14:57] You know what if we

[00:14:58] Put a

[00:14:59] Give it a hip hop twist

[00:15:00] And I am like

[00:15:01] That's interesting

[00:15:02] Let me see what we can do

[00:15:03] So we just

[00:15:04] I just started

[00:15:05] Tickering around on my

[00:15:06] Like software

[00:15:07] Which is logic

[00:15:08] And I started tickering around

[00:15:09] And

[00:15:10] We came up with the

[00:15:11] Group

[00:15:12] Which was very hip hop

[00:15:13] With the bass line

[00:15:14] But the vocal delivery

[00:15:15] Was very

[00:15:16] Lustic

[00:15:17] And then we

[00:15:18] We were like

[00:15:19] Oh this sounds good

[00:15:20] So he was like

[00:15:21] Okay let's keep this version

[00:15:22] On the album

[00:15:23] And the folk version

[00:15:24] In the episode

[00:15:25] And I am like

[00:15:26] Okay that makes sense

[00:15:27] So that's how we came

[00:15:28] So a lot of these songs

[00:15:29] Were like very collaborative

[00:15:30] Between the director

[00:15:31] The lyricist

[00:15:32] And me

[00:15:33] And of course

[00:15:34] The musicians

[00:15:35] Like all of them

[00:15:36] I knew

[00:15:37] Like the songs wouldn't be

[00:15:38] Where they are

[00:15:39] Or what they would be

[00:15:40] If it wasn't for the musicians

[00:15:41] You know

[00:15:42] So yeah it was

[00:15:46] I feel like

[00:15:47] The reason I enjoyed it also

[00:15:49] Is because I was getting to learn

[00:15:51] So much more about

[00:15:52] How to write commercial music

[00:15:55] Which when you are

[00:15:57] Restricted the indie space

[00:15:59] For too long

[00:16:00] And when you are used

[00:16:01] To writing for yourself

[00:16:02] You don't realize that

[00:16:05] That

[00:16:06] Writing commercial music

[00:16:07] Is an art

[00:16:08] And

[00:16:09] It is very challenging

[00:16:10] Very challenging

[00:16:11] Sometimes I think

[00:16:12] That

[00:16:13] This

[00:16:14] Amit

[00:16:15] Pritendha

[00:16:16] Kaise

[00:16:17] Kaise means

[00:16:18] Every film

[00:16:19] Every song

[00:16:20] Is

[00:16:21] A song

[00:16:22] Even if

[00:16:23] You know

[00:16:24] Some of the

[00:16:26] Like some of the songs

[00:16:27] May not register

[00:16:30] With us

[00:16:31] Like say applications

[00:16:32] But the audience

[00:16:33] Just loves them

[00:16:34] Like they have cracked

[00:16:35] That

[00:16:36] There is something about

[00:16:37] The way they write

[00:16:39] The songs

[00:16:40] That audience

[00:16:41] Holds them

[00:16:42] You know

[00:16:43] You said that

[00:16:44] Commercial space

[00:16:45] Where

[00:16:46] Everything is done

[00:16:47] Everything is done

[00:16:48] And yet you have to

[00:16:49] Again

[00:16:51] You know

[00:16:52] Thousands of stories

[00:16:53] Are being

[00:16:54] Thousands of

[00:16:55] Crime thrillers

[00:16:56] Ya

[00:16:58] So the space

[00:16:59] Becomes more challenging

[00:17:00] Very challenging

[00:17:01] Absolutely

[00:17:02] So

[00:17:03] We are talking about

[00:17:04] Mirza Pud ki baat chal rahi hai

[00:17:05] So

[00:17:06] About folk music

[00:17:07] That we have talked about

[00:17:08] You know

[00:17:09] How

[00:17:10] What sort of

[00:17:11] Influences

[00:17:12] Have

[00:17:13] You know

[00:17:14] Happened in your life

[00:17:15] As a musician

[00:17:16] You know

[00:17:17] Agar folk

[00:17:18] Be

[00:17:19] Agar kabhi be

[00:17:20] Aapko

[00:17:21] Ya phir

[00:17:22] When you are doing

[00:17:23] A lot of your

[00:17:24] Independent music

[00:17:25] A lot of rock

[00:17:26] Is what

[00:17:27] We listen to

[00:17:28] So something about

[00:17:29] The influences

[00:17:30] In your life

[00:17:31] So

[00:17:32] When

[00:17:33] I was a child

[00:17:34] I was single

[00:17:35] And there was

[00:17:36] Being taught to me

[00:17:37] So my mother

[00:17:38] Is a huge fan

[00:17:39] Of classical

[00:17:40] Folk music

[00:17:41] From films

[00:17:42] That go as

[00:17:43] Like

[00:17:44] You know

[00:17:45] As back as

[00:17:46] 1950s

[00:17:47] I would say

[00:17:48] Ya

[00:17:49] So

[00:17:50] I grew up on

[00:17:51] A lot of that music

[00:17:52] And my father

[00:17:53] Grandmother

[00:17:54] Were a huge fan of

[00:17:55] Malayalam film songs

[00:17:56] And back then

[00:17:57] They were very classically

[00:17:58] You know

[00:17:59] Sort of

[00:18:00] They were based on

[00:18:01] A lot of

[00:18:02] Karanikla scheme

[00:18:03] So I grew up

[00:18:04] Listening to that

[00:18:05] A lot of it

[00:18:06] And then school

[00:18:07] Mai aisa hua ki

[00:18:08] Then people

[00:18:09] Somebody introduced me

[00:18:10] To Michael Jackson

[00:18:11] And then somebody

[00:18:12] Introduced me

[00:18:13] To Michael Numske Rock

[00:18:14] And you know

[00:18:15] All these artists

[00:18:16] And

[00:18:17] So I got into this

[00:18:18] Pop, electronic space

[00:18:19] While listening to them

[00:18:20] I think it was

[00:18:21] Around the 10th or 11th

[00:18:22] Standard when

[00:18:23] One of my friends gave me

[00:18:24] The first

[00:18:25] Gave me

[00:18:26] A Metallica album

[00:18:27] Or Blackout

[00:18:28] And

[00:18:29] When I heard that song

[00:18:30] I don't know if I was

[00:18:31] I was

[00:18:32] Why I was pissed off

[00:18:33] But I was just

[00:18:34] Still pissed off

[00:18:35] Because

[00:18:36] I was

[00:18:37] Why I was pissed off

[00:18:38] But I was just

[00:18:39] Still pissed off

[00:18:40] In music

[00:18:41] And I was a devil

[00:18:42] Without a cause

[00:18:43] Really

[00:18:44] Bas gusta tha

[00:18:45] Amjh

[00:18:46] And I was like

[00:18:47] Pahani kis thing pe

[00:18:48] Gusta hai

[00:18:49] But gusta hai

[00:18:50] And I thought

[00:18:51] That Metallica

[00:18:52] Would be

[00:18:53] In my cassette player

[00:18:54] And

[00:18:55] I remember my dad

[00:18:56] Had got near to

[00:18:57] Win one

[00:18:58] Because he knew

[00:18:59] How much I

[00:19:00] I would listen

[00:19:01] To hours

[00:19:02] And I was in music

[00:19:03] And the first time

[00:19:04] I heard

[00:19:05] So I

[00:19:06] It was

[00:19:07] Not the first song

[00:19:08] On the A side

[00:19:09] Of the album

[00:19:10] It was the second song

[00:19:11] Jaha pe

[00:19:12] Album rukhe bhi jit

[00:19:13] I played it

[00:19:14] It was a song

[00:19:15] Called Sad But True

[00:19:16] Which is a

[00:19:17] Really heavy

[00:19:18] Groovy song

[00:19:19] And I suddenly

[00:19:20] Like

[00:19:21] Wow

[00:19:22] What is this music

[00:19:23] I want to hear

[00:19:24] A part of it

[00:19:25] And that's how

[00:19:26] I got into metal

[00:19:27] And then

[00:19:28] In fact

[00:19:29] Interestingly enough

[00:19:30] I got into heavy

[00:19:31] Music first

[00:19:32] And then

[00:19:33] I started exploring

[00:19:34] More and more rock

[00:19:35] I started

[00:19:36] Writing

[00:19:37] Alice in a Chain

[00:19:38] And

[00:19:39] Lots of

[00:19:40] Lots of

[00:19:41] Creed

[00:19:42] Alter Pitch

[00:19:43] All of this

[00:19:44] You know

[00:19:45] I just got into the whole

[00:19:46] Alternate rock scene

[00:19:47] In addition to

[00:19:48] A lot of metal

[00:19:49] Like

[00:19:50] Metallica

[00:19:51] You know

[00:19:52] Black Sabbath

[00:19:53] Lamb of God

[00:19:54] All of this

[00:19:55] These

[00:19:56] So even now

[00:19:57] Everyday

[00:19:58] I listen to at least

[00:19:59] An hour of rock music

[00:20:00] It's just something that

[00:20:01] That's my staple

[00:20:02] In fact

[00:20:03] I was in a meeting

[00:20:04] Like one of these days

[00:20:05] A few weeks ago

[00:20:08] You know

[00:20:09] They said that

[00:20:10] Whatever music you've made us

[00:20:11] Listen to

[00:20:12] Eventually bring it back

[00:20:13] To some part of rock influence

[00:20:15] Which is very evident

[00:20:16] In your music

[00:20:17] You know

[00:20:18] And

[00:20:19] And because I also

[00:20:20] Trained in dramatic

[00:20:21] Vocals for like

[00:20:23] Nearly 20 years

[00:20:24] So there was like

[00:20:27] A fun mixture of

[00:20:30] You know

[00:20:31] Vocal melody

[00:20:32] With

[00:20:33] A sort of rock

[00:20:34] You know

[00:20:35] Sensibilities

[00:20:36] And I think somewhere

[00:20:37] Between

[00:20:38] In between

[00:20:39] I was a little saturated

[00:20:40] With rock music

[00:20:41] And I was like

[00:20:42] Okay let me listen to

[00:20:43] Something else

[00:20:44] And I used to

[00:20:45] At that point

[00:20:46] Up until that point in time

[00:20:47] I used to hate electronic music

[00:20:48] I was not a big fan

[00:20:49] Of medium or trance

[00:20:50] Or whatever

[00:20:51] But because I was so

[00:20:52] Saturated with the music

[00:20:53] I was listening to

[00:20:54] I started getting into

[00:20:55] Media

[00:20:56] And for some reason

[00:20:57] I was liking it

[00:20:58] Because it was so new

[00:20:59] And fresh for me

[00:21:00] So then I started

[00:21:01] Discovering these artists

[00:21:02] Like Infected Mushroom

[00:21:03] Castings

[00:21:05] You know

[00:21:06] Arm and Land

[00:21:07] And then I slowly

[00:21:08] Went into heavier forms

[00:21:09] Of music

[00:21:11] With Skrillex

[00:21:12] With you know

[00:21:13] All these

[00:21:15] Sort of now people

[00:21:16] Who are now popular

[00:21:17] Totally

[00:21:18] And I think all of that

[00:21:20] Really influenced me

[00:21:22] Into who I am today

[00:21:23] And I listen to

[00:21:24] Lot of old school hip hop as well

[00:21:26] And a few newer artists as well

[00:21:28] And there's a lot of

[00:21:29] Indian hip hop that I like

[00:21:30] You know

[00:21:31] There's Divine

[00:21:32] Delphi

[00:21:33] You know

[00:21:34] And I've been listening to

[00:21:35] A few of

[00:21:36] These new songs

[00:21:37] That Bacha has been putting out

[00:21:39] There's a song called Dark

[00:21:40] Yes

[00:21:41] Which is really catchy

[00:21:43] This vocalist

[00:21:45] Also a friend of mine

[00:21:46] Sharbhi

[00:21:47] She's a

[00:21:48] Same vocalist

[00:21:49] She is

[00:21:50] And the moment her part comes on

[00:21:52] You suddenly get

[00:21:53] This goosebump

[00:21:54] You feel

[00:21:55] Really good

[00:21:57] I just discovered

[00:21:58] Not just

[00:21:59] But like

[00:22:00] Few weeks ago

[00:22:01] When Sharbhi posted it

[00:22:02] On Instagram

[00:22:03] I just got like

[00:22:04] What is this chorus

[00:22:05] Let me just go listen to the song

[00:22:06] And it's pretty good

[00:22:07] It's good to see like

[00:22:09] You know

[00:22:10] Newer and fresher

[00:22:11] Kind of

[00:22:13] Sort of musical instruments

[00:22:14] Coming from 100

[00:22:16] Absolutely

[00:22:17] Hip hop ki aapne baat ki

[00:22:19] Obviously

[00:22:20] We have to talk about Bombay

[00:22:23] Showtime

[00:22:24] And

[00:22:25] Lovely

[00:22:26] Oh my god

[00:22:27] That just

[00:22:28] Sets in the tone

[00:22:29] Of

[00:22:30] That character

[00:22:31] Mumbai

[00:22:32] Mayanagari

[00:22:34] Bollywood

[00:22:35] Industry

[00:22:36] And all of that

[00:22:38] Series is about

[00:22:40] So let's talk about Showtime

[00:22:44] How crazy was it

[00:22:46] Again

[00:22:47] This was my third time

[00:22:48] Working in Meher

[00:22:49] And

[00:22:50] I remember

[00:22:52] After we finished

[00:22:53] Ma's room

[00:22:54] Meher was like

[00:22:55] Now I am working

[00:22:56] I am going to start working

[00:22:57] In something else

[00:22:58] After a break

[00:22:59] And that's going to be

[00:23:00] Fully commercial

[00:23:01] And I was like

[00:23:02] Ya man

[00:23:03] I need something

[00:23:04] Very commercial

[00:23:05] Because

[00:23:06] Ma's room was so

[00:23:07] Word music

[00:23:08] And Punjabi folk

[00:23:10] And the club was so

[00:23:11] Rustic

[00:23:12] You know

[00:23:13] And I wanted to do

[00:23:14] Something very commercial

[00:23:16] Something that

[00:23:17] Spoke to

[00:23:18] Consumers of

[00:23:19] Commercial music

[00:23:20] In cinema

[00:23:21] Right

[00:23:22] So I have been telling

[00:23:23] Meher ki

[00:23:24] Kuch karte

[00:23:25] And I have

[00:23:26] A lot of the times

[00:23:27] If I write

[00:23:28] A good song

[00:23:29] Send it to me

[00:23:30] Just give this a lesson

[00:23:31] That's it

[00:23:32] What comes out of it

[00:23:33] You know

[00:23:34] So

[00:23:35] Ma kuch no kuch aise karte

[00:23:36] Usko aapishah bishta rata

[00:23:37] So when we started

[00:23:40] Working on this album

[00:23:42] I think the first song

[00:23:43] We

[00:23:44] Did was

[00:23:45] A song called

[00:23:46] Har

[00:23:47] Because we

[00:23:48] Came in a situation

[00:23:49] And everything

[00:23:50] I was like

[00:23:51] Okay cool

[00:23:52] Let me see what

[00:23:53] I can do

[00:23:54] Like an album

[00:23:55] Then I sent him

[00:23:56] This is locked

[00:23:57] Let's just start

[00:23:58] Writing this

[00:23:59] And then

[00:24:00] And because

[00:24:01] Him and Gini

[00:24:02] Also have a great relationship

[00:24:03] Even before

[00:24:04] He called me

[00:24:05] Called Gini

[00:24:06] Listen I am doing

[00:24:07] This project on Showtime

[00:24:08] And you are

[00:24:09] Writing all the lyrics

[00:24:10] And then he called me

[00:24:11] And said listen

[00:24:12] Let's start

[00:24:13] I always

[00:24:14] Open my mind

[00:24:15] And I was like that

[00:24:16] And Gini is generally

[00:24:17] My natural choice

[00:24:18] For lyrics

[00:24:19] She wrote lyrics

[00:24:20] To me when I was nobody

[00:24:21] And I had no money

[00:24:22] To pay her

[00:24:23] You know

[00:24:24] I just called her

[00:24:25] And we were like

[00:24:26] I am just

[00:24:27] Working on a song back right now

[00:24:28] But I don't

[00:24:29] Know how to write

[00:24:30] Commercial lyrics

[00:24:31] I can write lyrics

[00:24:32] For my band

[00:24:33] But I can't

[00:24:34] Write commercial lyrics

[00:24:35] And she was like

[00:24:36] Yeah let's do it

[00:24:37] We should soak

[00:24:38] Some go about it

[00:24:39] And

[00:24:40] So she

[00:24:41] Always going to be

[00:24:42] My first choice

[00:24:43] She was there

[00:24:44] When

[00:24:45] I really needed

[00:24:46] Somebody

[00:24:47] You know

[00:24:48] And then

[00:24:49] She was like

[00:24:50] I am just

[00:24:51] Going to write

[00:24:52] Commercial lyrics

[00:24:53] And she was like

[00:24:54] I will give

[00:24:55] Somebody

[00:24:56] You know

[00:24:57] Kind of

[00:24:58] Give shape to my music

[00:24:59] Sure

[00:25:00] So

[00:25:01] Then with

[00:25:02] Bombay

[00:25:03] What happened was

[00:25:04] It wasn't even in

[00:25:05] The album consideration

[00:25:06] It was kind of

[00:25:07] The composition

[00:25:08] Written for another project

[00:25:09] That project

[00:25:10] It happened

[00:25:11] So when

[00:25:12] When I finished

[00:25:13] Writing it

[00:25:14] I just sent it

[00:25:15] To my ear

[00:25:16] You know

[00:25:17] Me, them

[00:25:18] What do you think

[00:25:19] Of this

[00:25:20] You feel like

[00:25:21] This is interesting

[00:25:22] You know

[00:25:23] जो भी हैं, तो वे जब अपने लेंगार था पर जब जब रहे हैं.

[00:25:28] तो वे जब आप पर प्राम्या को बाता है, कैसा ये जवंगल हैं?

[00:25:37] और में आप पर परिश्टीब कर रहे हैं, आपको आप देखाएं?

[00:31:14] तो मुझे पाहली थे, यह आपके लिए एइए तरहे है.

[00:31:17] और क्या आप इसलाइ जाओगे यहां, वो ट़़े लेंगार ते आपको दो़े ग्या थगया.

[00:31:25] और आपकि झूठकी का आप खुट रहे है, वे वाज़ा पर्णियासा से चमझा.

[00:31:29] ताच नाशा के लड़े पास पर प्रवाद के लिए इसकान का बास्ता हुँ।

[00:31:34] क्या ऐसा प्रीजापत।

[00:31:36] यह आपको फाभ भात है।

[00:31:39] इसका आपको गुए बास्ता हैं.

[00:31:43] वेकारी यह लिए उसके लिए प्रापिष्ट कर रही था।

[00:31:45] और वाँद नहीं अगर प्रराज़िन का फ़ाइए था।

[00:31:48] और वे अम्ड़पाइश तो चाहती होता है।

[00:31:51] मुझे सब अधिकट़िस्ट़ों के लगारे का वाइइनवाद।

[00:31:54] वे अच्छाय प्रूमके रूएता।

[00:31:56] काई देती चाहता होता हूँ।

[00:31:59] अश्वरीष्या पाथा, मतिनाम्मgroUND के लिए प्थर्श बाता।

[00:32:05] और हम अगरावंदा स्थुमें किपाल निर्भावादा नहीं यो शाथु।

[00:32:11] अनानान्ग��면 या शार्मगष्र्ट प्रशार्ट तो भाता है दे पर्शानभाश्णा करती हैं।

[00:32:18] और हम उपटी थे लिए पहले पड़ावादा का बाजा चाप रहा है।

[00:32:23] विष्टि आप गुर्मीत तोल्ड नहीं देखा नहीं इसे साम तो पाभागा था।

[00:32:31] और मैं इस्टाइइचा बाजा था तो पाभागा था।

[00:32:34] वास्टान पार्वांदारा या और है और तो वास्टान का निंद्रे का आप भातियान अवरान।

[00:32:38] हम आपको नहीं रूपनरव के शाहन टीड़ से।

[00:32:41] उससव्रमार्च्तारबा, और मैं गौंचरून को बाध को पर आप ओमाना गए ruined पर गए बाता हैं।

[00:32:49] हैं!

[00:32:51] आपके साथ नहीं कौलतो दार बा espaँबा बाजा दे हैं

[00:32:59] तो उदाप मेरे बाग़ला प्राइपांटा तुमें में एक प्राइपांटा बाना चांसर aide आपका दे पाळणा तुमें इए रूजिव रूजिव का बाजा चाओशा.

[00:33:35] कुछने ने है। अपने सब्ग सरी भी थाइ.

[00:33:37] वो कुछने ने रोरजाने करता है।

[00:33:40] वह वाई शिखान करता है, यह वसंत्म्ह यह कृणी सावका तहान उसकी सटीज शुर्षाल्गे।

[00:33:44] आप कोना प्रेवान्त की ज़ाने की वस्डुत करता है।

[00:33:47] So three of them are like that.

[00:33:51] And then there's one song which is semi-classical in nature.

[00:33:54] So there's this classical-based folk singer that I really love working with,

[00:34:00] His name is Vidya Gopal.

[00:34:01] So it'll be my first outing with her.

[00:34:06] And there is a dancer who I work on convince her that she'll be a friend.

[00:34:12] So she sang on all three seasons.

[00:34:16] ताइट कराण लिए तैक्सूनिब पूर्दाल कराण अगाँ प्राजिन पाइडाफी पूर्दाल बात रहा है और एसे कुछ बाते है तूट चाहींगा.

[00:34:23] और तुर्ट टाइट कराण आप स्थादम्ना जाइदा चाथा रहा हैं.

[00:34:25] आप शाथा यह तूँ करता हैं.

[00:34:27] हर आप ब दूनकास्ता के आउपा से खास्तादी नहीं पडे पाहा तो तो से ब्याद।

[00:34:33] अबसलभागी बात से नहीं चाहिदभादा हैं वो आपके अपना ग्राजा यहता है।

[00:34:41] वॉनिकोई च़े याँप पाकला हैं चाहिए मइं, उद प्राइचना के समाटा में.

[00:34:51] किसारा चाता को ये भी रहे।

[00:34:56] कुछ है, ऒपको स्ट्वक्षिना है, और में वो ज़राएख्छा के रह कालना

[00:35:02] यह लेका नहीं पर तुम स्थाइवा और मुझे का रह चाम के रहा था

[00:35:07] विवं कुछ उस्राइंगाके नहीं हैं

[00:35:12] अगाजु इसक्टी पूंच पे बाती तुम से है यंद्रका भी नहीं पाता हैं.

[00:35:16] तुम से काहँ बाता प्रेजुगता!

[00:35:19] और तुम से समझवताविर्वा है तुम तरहा प्रेजुगता परेजुगता होंग।

[00:35:29] पाधियारण और लेखो नें है। उन्हें provided in my name,

[00:35:35] तो आज्गे आपका बी नेक हो श्था साकिते हैं रह से पहार।

[00:35:39] तो हम उध्य।

[00:35:41] और वे अच्छाए सम्ऽ का वांट्याव हो पाया देत्ग़ाए कभी लिए उत्राइता clashay am,

[00:35:46] और वह औरिए wither,

[00:35:47] आपके विगाईल के आपगता है।

[00:35:50] हाँ ज़ाहिए।

[00:35:51] किसोझ्च सिर्वाए नामान, पर कृष्ट जाता।

[00:35:58] तो अपनी इस्तिंक्रहा है,।

[00:36:01] और थच्ट्टाल प्रस्तिती हो एप पूया नेंकला रहा है।

[00:36:06] किदे किना तो अद्तिलिए हर।

[00:36:08] बदी पर क्या कहती कि लिए पर अपने जुट देखा कि लिए फिक्ते थे, वे जुकारे markerrance चाहने कुछ भड़ा जो

[00:36:13] और हमें जत्मुल का गर्भा है दिनाओलिर का घूंद पैलालिा हैं

[00:36:21] हमें जत्मुल को सम प्रावा हैंdan ओर भी ओरंगाराइता देचा नहीं

[00:36:27] कि व आप लिए ज़्टिवाजन के पॉल का बाते हैं

[00:36:32] या वाल्जान दिखना है। वैं वंवत्र प्रूस्गेस्टा थोल रही है।

[00:36:35] मुझ़़दों परीए लिए, अभुगान को चाहिए र presently आपन्रे जीनाए पक Eye रही हैं।

[00:36:39] सामाए पारणिंग्छार्प्यसावीम्म। भद्वात को मतलब् प्रॉचठ्एटिप्रन्ट।

[00:36:43] पारणि�with music productions और में संद्थाइणाड़गार कुछनेए और अपने भाज़ित्प्ड़ी प्राज़ेता,

[00:36:48] क्योंकि आप वे का थाइ एपटा कि यान्मस्था पढ़े।

[00:36:56] तो लोग बोलते हैं, अरिजी कडाने, चूमीन कडाने, वेनी कडाने

[00:37:10] पर सब कुपसर का इस्तिराइन का पूर्ण बॉलते है, जब आप आपकोई का पूर्ण का कडाने की यह यह कहार रहे हैं

[00:37:17] हभी भी वार्वार्वार्वाते हैं, होने पार दाले पर अभजान का नहीं लेते था।

[00:37:24] अभजान पर भी टस्तड़ार पर हुआइ था।

[00:37:26] आपना

[00:37:32] तो, मुझे आपने काड़ान हैं।

[00:37:36] माया हई गांनाय थे।

[00:37:37] अभना मुस्त चही kidding तो अच्यांी तरहंवा के पेभालर ��ालीख का लिए बैसाँ कर रहा हैं।

[00:37:45] अच्यांग।

[00:37:46] तोने तामेन की निया टामार रह्तिर दी तो हम का अर्डिजीत कर रहा हा थूक।

[00:37:49] जब भादा है के आधे उसक можете क्यादर अपनी कैलाt the lyrics are very easy, it is called Ainker garant.

[00:37:50] � Вот कothा मito आपको सह सक KENNETH आदे नहींiento कर unfolding से परकाल है। Jeder लुश Когда I sing a song or this becomes a hit, people know it to be Hahms Link singing.

[00:37:58] सब हा� OK S unconditionalem.

[00:38:00] हाँ बता international Capital of my studies, so that most of my tradition,

[00:38:03] has become all ink tylko क्याओ Auntie that is instantly

[00:38:08] और अबको यहाँ को हमाने की तो बाव उस्ताइंज तो आप आप भी ख़र्सार, वाँज्गार का पास्टाइंट।

[00:38:15] तो इसाँ तो भी अबको बी थालांगा नहीं पर कराता है और उससे अच्छरार से यहाँ कहा नहीं पर देम।

[00:38:21] तो पर माद्मता आप उसमे है।

[00:38:24] तो तुक भाजना जससाटा करें।

[00:38:26] वहाँ लिए तोाइडिंटी कि बाजना चाहिंगा.

[00:38:30] और केसें ज समाचाच हैं, वह आप चाहिंगा की वो तो चाहिंगा आइकरी हैं।

[00:38:34] आप तो और प्रान्तिक्यार ऐसा है था।

[00:38:37] और प्रतीके समयकों काई चम्ह सुच्त करें।

[00:38:41] अपने आप ँपने चञाफ़ान्म करें।

[00:38:44] तो 10% पर उड़ा रहे हैं और 20% पर उड़ा रहे हैं।

[00:38:48] आप उड़ा बार कुछ तो था उड़ा और वेजार करें।

[00:38:52] For mutual fund or something

[00:38:54] You should really be careful

[00:38:56] With your money

[00:38:58] as in the line of work

[00:39:00] Income is ...

[00:39:02] unstable

[00:39:04] it is good income

[00:39:06] because we get so much money

[00:39:08] for such

[00:39:10] what we love to do

[00:39:12] we don't realise that we have to

[00:39:14] save it and we have to invest it

[00:39:16] so that is something

[00:39:18] that I feel

[00:39:20] वह बागयी हमाँ नहीं मनुवार्ट है। यह सिज़ऊ के लिए आँपटा लिए Martial.

[00:39:23] तूम्मच्छुप होता है है तूम्मिस्च को थीzenie से ख़शुररोPLE किना काओ।

[00:39:25] और एक इस्तख्रपलीगी नहीं है नहीं।

[00:39:28] तो चाहती हैं। ऐसे आप जब आपचान चाहती है।

[00:39:32] तो चाहती नहीं है अपना उसा पताजे या बी बाद फिरले है।

[00:39:36] यह चाहती हैं। तो पहले आप ताहाँ नहीं है।

[00:39:40] और विज़्धि mixes वह इसके शुब नहीं यहाँ देखे है।

[00:39:47] आप लोग है। आप काजा काणा तो ट्रिके होगा।

[00:39:51] ही तो, तूठ यह आपको संगाए था।

[00:39:53] जाएकना हैं, यह अच्छाला पूड़ाइ हैं यह आपको दाए।

[00:39:56] तो आपको संगाए थे, तो वाग्राजाय के पर प्रापल करनें रहता हुगाए रूँगा।

[00:40:00] आप आप आप आप आप तो तो लिए तो लिए भाज़िए ने का भारण ने कि लिए पाथ रहा है और अप तो आप बास्ट म रहा है।

[00:40:30] अब तुज्टाइ प्रवादागा हूँ यों दोर तुझ से रहते हुए अब दिल की लसीहाँ सुनने लगा हूँ।

[00:40:54] हर लाँद से कटते हुए हर याद से मिटते हुए

[00:41:10] इर फासल ये रासते ये दूरियां अब है कां।

[00:41:27] देखूं जिधर तू है वान, कुछ भी नहीं अब दर में आँ।

[00:44:27] आप आपके ड़ा रहते हैं।