Ep 250- Dil Tera Aashiq

[00:00:15] Hi, this is Asim. This is Sujoy. This is Amritha. And you're listening to Khandaan, a Bollywood

[00:00:20] Podcast about the three main Khans of the Hindi film industry. Amir, Salman, and Shahruh.

[00:00:26] Hi, you're listening to Khandaan, a Bollywood Podcast regular feed. Thank you so much for

[00:00:31] your support over the years. We now have a Patreon channel with bonus content and exclusive

[00:00:36] merch for those of you who would like to support us. Every dollar goes towards creating more

[00:00:41] and better content. Visit us at patreon.com slash Khandaan Podcast.

[00:00:48] Hi, and welcome to a new episode of Khandaan Podcast. My name is Asim Burney, and I'm joined

[00:00:54] with my lovely co-host Amritha and Sujoy. Hey, Amritha. Hey, Sujoy.

[00:00:58] Hey, everybody.

[00:00:59] Hello.

[00:01:00] Guys, can you believe this is the 250th time I have done this intro now? Like some sort of

[00:01:09] version of this intro 250 times. How crazy is that?

[00:01:14] And also, like, it's so wholesome to me to hear you do the intro 250th time because just

[00:01:20] minutes ago I was feeling a bit meh. And the moment you start, hi, everybody. I just, you

[00:01:26] know, perked up. I'm like, Asim, your voice. Subhanallah.

[00:01:33] Thank you. Thank you. Thank you. Thank you. I hope that's also what, you know, after 250

[00:01:38] episodes, our listeners are feeling, you know, that baby ko bes pasand hai and my voice kind

[00:01:43] of perks their day up when it drops, you know. And thank you, DJ Shai for giving us probably

[00:01:48] one of the best intro themes to, you know, a podcast. But yeah, as I've learned, I should

[00:01:55] not be comparing and saying best or not best. Learn my lesson. Learn my lesson. We grow after

[00:02:03] 250 episodes. What are we doing this episode? We, I mean, we wanted to keep it light. Amrita,

[00:02:10] we're going to be doing something to celebrate this occasion, right? In the future?

[00:02:15] Yes, obviously. This is going, this is like a huge milestone for any podcast, but like,

[00:02:21] especially for us, because we literally, I mean, we've talked about this multiple times.

[00:02:28] This is a completely indie effort. It's just three people who are in it for the love of

[00:02:34] the game. We keep trying to sell out and nobody will buy us.

[00:02:40] Three little Delulu people.

[00:02:43] But like, these are my best friends and I get to hang out with them every week or every

[00:02:50] other week. And it's like what Sujoy said, you know, like, I feel tired. I feel cranky.

[00:02:57] I'm not like in there. And then Asim says, you know, like, I'm joined by my good friends,

[00:03:04] Amrita and Sujoy. And then immediately it's like, yay, I get to hang out and like talk about nonsense

[00:03:10] with my friends again. So it's kept me sane through the pandemic. It's gotten me through cancer.

[00:03:17] Like, I don't know what else to say. Like, I'm just delighted to be here. So we're definitely going

[00:03:23] to do a live stream. We haven't done one of those in a long time. It's probably going to be in November

[00:03:33] because we are all traveling a little bit and we're not going on hiatus. I don't think, are we?

[00:03:40] No, no, I don't think we are. But we are kind of banking a few episodes back and forth. And also

[00:03:45] there's no big releases necessary. And there's other ways to find us. We're on TikTok. We're doing

[00:03:50] YouTube essays. We're very active on our Patreon community. And I think that's a lot of where our

[00:03:55] focus is. So we want to thank them and we want to continuously provide content for them. But also

[00:04:02] we want to do a live chat, but we also don't want to half-ass it, right? So we want to do it when we're

[00:04:07] kind of all in the frame of mind and we're not traveling. Sujoy, you're leaving soon. Amrita,

[00:04:11] you're traveling. So we didn't want to do something just because it's 250th episode,

[00:04:15] but we wanted to, you know, do it when we're in the right headspace. Sujoy, man, 250th episode,

[00:04:21] what are your thoughts? How are you feeling?

[00:04:22] I mean, not many people achieve this. A lot of, like, even the best of the best enthusiasts and

[00:04:29] the experts, they sort of give up midway, right? And I, like, if you would have told me in 2017

[00:04:35] that we'd still be doing 250 episodes stronger than ever, I would have, like, laughed at your face.

[00:04:41] You know, this is unbelievable. It's, yeah, I wouldn't have expected. Primarily because I'm a

[00:04:48] skeptic at heart, but I'm very, very proud to be associated with a podcast that has 250 freaking

[00:04:56] episodes under its belt. What an achievement. Like, I don't want to pat my back, but I am.

[00:05:04] And both of you guys as well.

[00:05:07] You know, I was just reading on Twitter or something, you know, just, like, earlier today

[00:05:14] or something, and they were talking about, like, how a lot of the influencers and whatever who

[00:05:20] start out creating content on sites like YouTube, etc. Eventually, they just stop doing the thing

[00:05:28] that made them famous. And they just start making, like, other weird things that nobody asked for.

[00:05:35] And part of it is because they're trying to grow their audience. But also the other part of it

[00:05:40] is the fact that they just tire of making whatever it was that they were doing, you know, like, so it's

[00:05:47] like the same thing over and over and over again. But I think the reason why Kandan is different is

[00:05:53] because while we're still talking about Indian cinema all the time, we have, like, the three of us,

[00:06:00] and we are just three such completely different people.

[00:06:05] It's just always, like, we always zig when you expect us to zag. You know what I mean?

[00:06:11] So, I don't think it's become tiresome to any of us so far.

[00:06:18] I mean, until the Khans make movies, which is like the end of the cockroach nuclear holocaust,

[00:06:24] whatever, you know, we are here. We are here to talk about Salman movies, Amir movies, and

[00:06:31] Sharuk movies.

[00:06:32] Yeah, we're gonna podcast Mar-te-dam-tak.

[00:06:39] But yeah, I think it's been lovely. And I think we, I mean, we're here because of the support of our

[00:06:45] Patreon community too. And we asked them, you know, what, how, you know, how did they discover and if

[00:06:51] they had like a short note for us to read for our 250th episode, you also can send us a note for

[00:06:58] the 250th episode. Drop us at upodcastingatgmail.com if you're not a Patreon, and we'll definitely try to

[00:07:04] go through it. We always try to reply and be very active. I know a lot of people also are getting

[00:07:09] to us in Instagram and things like that, which is great. But we're not as regular because we're all

[00:07:17] old and Instagram chat doesn't work for me. But do drop us an email at upodcastingatgmail.com.

[00:07:23] We are email volume.

[00:07:24] Yeah, exactly.

[00:07:28] It's that thing, right? When like millennials, things get serious, they stop the phone and they

[00:07:33] get the desktop out.

[00:07:34] Oh, yeah, yeah, yeah. So yeah, when you book a flight, you cannot book it on the phone. You have

[00:07:39] to open the desktop.

[00:07:40] That is so true though. Like when I was reading that thing, I was just like, oh my God, that is true.

[00:07:45] Yeah. I didn't have a jacket too.

[00:07:49] Like, give me like, I need some desktop. I need like a screenshot of the receipt, you know.

[00:07:57] Oh my God, we are those people.

[00:08:02] Let's read out some messages here from our lovely patrons. I want to read this one from

[00:08:07] Anne, which this one really moved me like I got very emotional. So here, Anne says, congrats

[00:08:14] you guys. I found you guys while searching for bodywood podcasts right before COVID.

[00:08:20] I stayed because I felt I was listening to my friends talking about the movies. And even in

[00:08:25] the latest episode, I love that you are able to are yet to be tainted by commercial Bollywood

[00:08:30] and still say your mind. I love you three because of so many reasons. Number one, that always

[00:08:36] that almost always three of you have different opinions about the same movie. Number two,

[00:08:42] Asim and Amrita pulling Sujoy's leg whenever an opportunity appears. Love the name of the

[00:08:49] podcast. Thanks, Asim. I have an unexplainable love for Salman Khan movies. Cannot defend his

[00:08:55] actions or choices, but I still watch all his movies and I found a Salman soulmate in Asim. Salman

[00:09:03] soulmate is a good idea for a t-shirt by the way. Amrita's beautiful big eyes that

[00:09:11] mesmerize you while she gives you her take on Bollywood on Insta Reels, slowly discovering

[00:09:17] more about you guys through every episode, like how Asim is a successful businessman and

[00:09:23] Sujoy loves traveling and photography. I thought the sentence was Asim is discovering how Asim

[00:09:29] is. Then Asim and Sujoy slowly learning about South Indian movies and Malayalam movies and

[00:09:38] Amrita giving them context to some crazy stardoms, eagerly awaiting every episode and can't wait to

[00:09:43] celebrate the 500th episode next. Wow. Yeah, that one I got a little bit emotional. Thank you,

[00:09:53] Anne, for writing that in. I have noticed, Amrita, you have a lot of, you have created like this army

[00:10:05] of women lusting after on Instagram. What's going on, Amrita? Lusting after who? You.

[00:10:16] What can I say? They have great taste.

[00:10:23] No, it's just, it's one of those things, right? Like you, I don't know. Like, I don't know how to

[00:10:30] explain how delighted I am when I hear things like this, because it's just, you kind of feel

[00:10:41] like you have opinions that are very different from everybody else, because you go online and you see

[00:10:48] what Bollywood criticism is, or what like public sentiment is about Bollywood. And it's always about

[00:10:55] like, who's making more money? You know, yeh nasheli hai, yeh adulterer hai, yeh cheater hai, yeh wo hai.

[00:11:05] And I'm just like, I don't care about any of that shit. Like, you could be injecting crack cocaine

[00:11:12] into your veins, and I don't care. Like, show me a good movie that is like, like, and I talk, I talk a

[00:11:19] lot about like, how much I enjoy gossip and stuff. And I do, but it has nothing to do with the movies

[00:11:24] that I like, and the movies I watch, you know, like, I, I don't know, maybe the older I get, the

[00:11:30] the more detached I am. This kind of stuff. But it's just really, like, when we started doing this

[00:11:39] podcast, I didn't think a lot of people would share our opinions, or even appreciate our opinions.

[00:11:47] And I think a lot of people still don't share a lot of the opinions that we have.

[00:11:55] But I do, I do think a lot of them appreciate the opinions that we have.

[00:12:00] Tolerate our opinions.

[00:12:04] And, you know, it's, it's great. But Asim, how does it feel to be princess for the day? Like,

[00:12:11] you know, everybody is just like, oh my god, like Asim. I've noticed an uptick.

[00:12:16] Like, and especially in the, in the, in the mails that Asim reads out.

[00:12:20] Yeah, that's, that's, that's the filter. That's the filter. I pick up the ones that like boost me

[00:12:28] up, you know, the other ones is like, you know, like, it's like, delete, you know, like,

[00:12:33] this is how you get on the show by complimenting me, you know.

[00:12:40] We're podcaster, we're starving for love and appreciation.

[00:12:46] Notice me, senpai.

[00:12:49] Exactly.

[00:12:50] So, Joy, you did not get objectified at all. But how do you feel about us pulling your legs,

[00:12:56] man?

[00:12:57] Always up for it.

[00:13:00] Only by you two, by the way.

[00:13:04] I'm not like, come and walk.

[00:13:07] Nobody comes and walk.

[00:13:10] That's not me.

[00:13:11] Why do you kill me?

[00:13:12] Yeah, exactly.

[00:13:15] I'm going to go to the gym.

[00:13:19] Second message I wanted to read is from Farzan.

[00:13:22] Congratulations, guys.

[00:13:24] I love you because I am, because I'm an Aamir fan, not in spite of it.

[00:13:29] I may be a bigger Aamir fan than Asim since I saw Andaz Apna Apna in theaters.

[00:13:35] That's crazy, dude.

[00:13:36] That's crazy.

[00:13:37] That's like, you know, buying crypto when it was like $20.

[00:13:41] That's what it is.

[00:13:43] I watch Andaz Apna Apna Apna in theaters.

[00:13:45] Yeah, exactly.

[00:13:47] That's pretty crazy.

[00:13:48] That's pretty crazy.

[00:13:50] You guys want to read one or?

[00:13:52] No, no, go ahead.

[00:13:53] Go ahead.

[00:13:55] Next one is from Shreya.

[00:13:58] Congrats, guys.

[00:13:59] 250 episode is amazing.

[00:14:01] I discovered this podcast when I was graduated from my master's in 2020.

[00:14:05] It was peak COVID and I was job hunting in Canada away from family.

[00:14:10] But Khanan was one of those things that really made me happy.

[00:14:12] I love Bollywood and I love the three of you covering Khan movies.

[00:14:17] I'm an SRK fan, tolerate Aamir and only like Salman's old movies.

[00:14:23] So I really connected with your opinions.

[00:14:25] I really enjoy listening to new episodes every week.

[00:14:27] I hope you guys can keep doing this for as long as possible.

[00:14:32] Yes, we hope to do this as long as possible.

[00:14:35] I think it's an interesting one, right?

[00:14:37] Like this breakdown of I'm an SRK fan.

[00:14:42] I tolerate Aamir and only like Salman Khan older movies.

[00:14:47] It's I think there's a there's a lot of a Venn diagram of the listenership in those three

[00:14:53] zones in a way.

[00:14:55] Because I don't like I think you made this point like there's supposedly a lot of Aamir

[00:15:01] Khan fans, but they're not as vocal, right?

[00:15:05] And Salman, I think the old Salman or the young Salman, we can all kind of add nostalgia to

[00:15:11] it and also it being non-problematic.

[00:15:14] And then everything went to shit.

[00:15:16] So it's very hard to defend later Salman.

[00:15:19] So I think a lot of people fall into those categories of, you know, I don't know.

[00:15:24] What do you guys think?

[00:15:24] I mean, it's not rocket science.

[00:15:30] Why?

[00:15:30] Because of the things that dude, because of, you know, it's kind of obvious like the fandom

[00:15:39] for those people like falls into those categories, I suppose, like all normal people would.

[00:15:46] It's only the outliers who still like go gaga about, you know, behind the picture and all

[00:15:52] of that.

[00:15:53] And we are those outliers.

[00:15:56] Also COVID, right?

[00:15:57] We mentioned it already three times now.

[00:15:59] Like it was a big, big thing.

[00:16:00] I think we kind of like just sweep it under the rug like this global pandemic happened,

[00:16:07] you know.

[00:16:08] But yeah, I think it was a big thing.

[00:16:10] And I think really our khandaun solidified at that time, you know, like a lot of people

[00:16:16] were relying on each other.

[00:16:18] Us three were relying on each other to keep us sane.

[00:16:20] And I think a lot of people got a connection with us because everybody was trying to be

[00:16:26] sane at that time.

[00:16:27] So yeah.

[00:16:29] COVID.

[00:16:29] I vividly remember us making jokes about, listen to this episode when you, you know, clean

[00:16:37] your bartans.

[00:16:42] Remember how many times we were cleaning our bartans at that time?

[00:16:47] I would say our houses were so clean in COVID.

[00:16:52] We used to make jokes about like how other people had podcasts where everyone was like,

[00:16:59] oh, I'm on a nature trail and I'm listening to a podcast.

[00:17:03] And we asked, we made the mistake of like asking our listeners like what they were doing.

[00:17:08] Do you remember this?

[00:17:09] We asked our listeners what they were doing while they were listening to our podcast.

[00:17:14] And everybody was like, I was cleaning my house.

[00:17:18] I gave my food.

[00:17:21] The leaves were gone.

[00:17:24] They were eating all of them.

[00:17:26] So we are like new to the community.

[00:17:28] And you see like a lot of people joking about like how they're like cleaning the toilet while

[00:17:32] they're like listening to Anand.

[00:17:34] That's the context.

[00:17:36] Because I think a lot of people didn't understand that, you know, like everybody was in the

[00:17:41] same boat.

[00:17:43] What are you going to do?

[00:17:45] You're just going to clean your house.

[00:17:48] I think we were just all very influenced by Katrina Kaif.

[00:17:51] She said, go bartan do.

[00:17:53] And we all started just cleaning our bartans.

[00:17:55] Like basically, Katrina kari hai to hame bhi kar nahi.

[00:17:57] You know, like I think that's what was happening.

[00:18:00] I love that Katrina, like this is like such a weird, I've forgotten about this, but I love

[00:18:05] that Katrina tried to teach us how to wash dishes.

[00:18:08] Yeah.

[00:18:09] That was amazing.

[00:18:11] As if.

[00:18:12] She's like, this is how you bartan manjo.

[00:18:15] So it's just like very nice, very nice.

[00:18:18] She was speaking to men, Amrita.

[00:18:20] She was speaking to men.

[00:18:21] Like, you know, like this is how you do it.

[00:18:25] Okay, Chitra.

[00:18:27] Next one.

[00:18:29] Hi, Aasim Sujoy.

[00:18:30] Congrats on 250.

[00:18:32] Back in 2018, I had been looking to discover Bollywood podcast and stumbled across Khandan.

[00:18:37] The first episode I listened to was the review or Aasim and Sujoy's hilarious retelling of

[00:18:44] Race 3.

[00:18:44] I have been hooked ever since.

[00:18:48] Thank you so much for continuing the podcast all these years, despite this not being your

[00:18:53] full-time job.

[00:18:54] You've really been a constant and great help for me during these tough times such as the

[00:18:58] pandemic and this past year when I had to undergo surgery.

[00:19:02] I hope you feel better, Chitra, and the surgery is all healed.

[00:19:06] I look forward to new episodes each week, whether it's reviews of the latest releases, revisiting

[00:19:12] all-time classic Khan movies, or discussing films that I'm pretty sure even the Khans wish would

[00:19:17] have been forgotten.

[00:19:20] I'm also grateful to Khandan for helping me discover new podcasts such as Filmy Ladies and Bollywood

[00:19:31] Drafts.

[00:19:32] Shout out to Beth, Pitu, and Manish.

[00:19:34] Can't wait to celebrate the 500th episode with you all next.

[00:19:40] And I like this because it's also giving a shout out to the work Beth and Pitu and Manish

[00:19:46] are doing.

[00:19:47] And I do feel we're all kind of interlinked.

[00:19:50] It all stems back to Beth's blog.

[00:19:55] That's the originator.

[00:19:57] And then people discovering this later on is like maybe think that Khandan was kind of

[00:20:02] where it spread out.

[00:20:03] And I mean, in terms of podcasting, we probably were.

[00:20:07] Especially in the early days of later stage days of YouPodcast, where I just completely

[00:20:13] gone crazy.

[00:20:15] We were podcasting with everybody at that time, right?

[00:20:18] Like those final few days before Khandan really started.

[00:20:23] So yeah, I think we can take some credit to being kind of the podcasting maven.

[00:20:27] But it all stems back to Beth Loves Bollywood and our blog, to be honest.

[00:20:32] That's where it all started.

[00:20:34] Top friend.

[00:20:34] Top friend.

[00:20:35] Top friend, Beth.

[00:20:38] Erin says, I honestly can't remember when I first found Khandan, but it was probably around

[00:20:43] 2018 or 2019 when I was in graduate school and looking for as many podcasts as I was.

[00:20:48] As possible to make it through studying.

[00:20:50] I don't have a lot of people in my day-to-day life who know anything at all about Bollywood.

[00:20:56] So it's nice to get experience, to get to experience all yours conversations.

[00:21:01] I also have a real soft spot for 90s Bollywood specifically.

[00:21:06] So the initial focus on the classic Khand era was the selling point for me.

[00:21:11] Any episodes going back to the 90s, especially the early 90s is a highlight for me.

[00:21:17] Yes, Erin.

[00:21:18] Again, foreshadowing what we're going to be doing after reading these messages.

[00:21:25] Yeah.

[00:21:27] What was I going to say?

[00:21:28] I think I forgot something.

[00:21:29] Oh, yeah.

[00:21:30] Sujoy.

[00:21:31] No, Amrita.

[00:21:32] Sorry.

[00:21:32] Have you watched Race 3 now?

[00:21:34] Since all of this hype for the Race 3 episode and our retelling.

[00:21:38] Have you actually watched Race 3?

[00:21:40] I actually, genuinely, and this is the God's honest truth.

[00:21:43] I do not know.

[00:21:47] In my memory, I have watched it.

[00:21:50] But I don't know if I actually watched it.

[00:21:52] Or else you guys have described it in such minute detail.

[00:21:57] That I have just created false memories of having watched it.

[00:22:02] So I genuinely don't know whether I've watched it or not.

[00:22:08] Yeah, I know our top friend Beth wants to do a watch-along.

[00:22:11] She's been talking about it for a long time.

[00:22:14] So if you've not watched it, maybe that would be a good time to re-watch it.

[00:22:18] I mean, I'll definitely watch it with you guys.

[00:22:21] Yeah.

[00:22:21] That's the only way.

[00:22:22] Don't watch it on your own, you know.

[00:22:26] So, Joi, man, what do you think is the hold of these 90s movies that people still really come back to?

[00:22:33] Because you can't say that it's their best work, right?

[00:22:37] Like, no.

[00:22:40] It's got to do with nostalgia of all.

[00:22:43] Because we come from a time where content was so limited.

[00:22:49] And probably Diltehra Ashik might be the famous, like, not to, like, jump the gun.

[00:22:56] But movies like Diltehra Ashik are of that era.

[00:23:00] You know, Amir Shahrukh Salman movies of that era, which were terrible.

[00:23:04] But maybe somebody had that VHS tape in their house for, like, five years.

[00:23:09] And the only thing they watched was that movie.

[00:23:13] And that instantly, whenever they now hear that soundtrack, it's just like, that used to be my favorite movies of all time.

[00:23:21] You know, it's that connection.

[00:23:23] Like, we didn't have cable TV.

[00:23:24] We had one channel on TV and VHS tapes.

[00:23:28] That was our source of entertainment.

[00:23:30] And whatever we were provided, our silly brains, you will still think, yeah, this is the best shit ever.

[00:23:39] Yeah.

[00:23:41] Okay.

[00:23:41] Two more messages.

[00:23:43] And then we'll head over to our main review, which is going to be Diltehra Ashik.

[00:23:48] So, Jackie says, she found us through the Chori Chori Chupke Chupke episode.

[00:23:53] I never stopped listening since.

[00:23:55] I listened throughout many sleepless nights with two kids.

[00:23:58] And I feel like I have found my people who love Indian cinema like I do.

[00:24:02] My favorite episode is probably the Andaz Apna Apna episode.

[00:24:05] Just every single moment of that episode to bring me joy.

[00:24:10] Thank for all of you who dedicated to bring us fun and films.

[00:24:15] I'll be honest.

[00:24:16] We've done meetups.

[00:24:17] We've met so many people.

[00:24:19] Every time it's Andaz Apna Apna or Race 3.

[00:24:22] These are the two episodes people always get back to.

[00:24:25] And it's always seemed to be those episodes that when people are down, they will go back to re-listening to these episodes.

[00:24:32] Which is just, you know, it's good that still happened.

[00:24:36] I'm just going to propose something.

[00:24:38] And, like, I think we should revisit Andaz Apna Apna and do, like, a second re-watch episode, I believe.

[00:24:47] Somewhere down the line.

[00:24:49] When there's not much Khan content out on big screens.

[00:24:53] So, I think that'd be great.

[00:24:56] The fear I have is what can we add to the previous episode?

[00:25:01] You know, that's my problem.

[00:25:02] Like, I think since the recording, I've watched Andaz Apna Apna at least 20 years.

[00:25:07] You know, like, I've seen it a lot since then.

[00:25:10] But I don't, I think we, I don't know.

[00:25:12] I don't know if we can, like, you know.

[00:25:13] I have not re-listened to that episode, right?

[00:25:16] So, I don't know what I actually said.

[00:25:18] It could be the same stupid shit I'll be repeating again.

[00:25:22] Exactly, yeah, yeah.

[00:25:22] But it'll be hilarious still.

[00:25:24] Yeah.

[00:25:25] Yeah.

[00:25:27] Also, like, speaking of I don't remember what I said, I did not remember we did Chori Chori Chupke Chupke.

[00:25:32] I don't even remember.

[00:25:33] I remember that episode because it was the first episode of Salman Khan that we did after

[00:25:39] I ne piar kia.

[00:25:40] Oh, wow.

[00:25:41] That's really old then.

[00:25:42] Okay.

[00:25:43] Okay.

[00:25:43] Okay.

[00:25:44] So, I think it was episode number four or something.

[00:25:46] Wow.

[00:25:47] Jackie's an OG, right?

[00:25:48] Like, she's a AG OG from long time ago.

[00:25:52] Logi Sunoji.

[00:25:54] Last one from Milani.

[00:25:57] I don't know if she has the accent on the E, so I'm pronouncing it as, you know, show

[00:26:01] of my French accent.

[00:26:02] But I don't know if it's actually Milani or Milani.

[00:26:08] Yeah.

[00:26:10] I can be Jarvi Kapoor too, right?

[00:26:14] No, you're Shraddha Kapoor.

[00:26:19] What are you insulting Sunni Bharti in 250 episodes?

[00:26:25] I am Asim Ke Bari.

[00:26:28] That's why I need this Patreon love, yaar.

[00:26:30] This is what I get from the Garwale, you know.

[00:26:35] So, I saw a clip of Khandan podcast on the Pony and Selvan 2 on YouTube when I was looking

[00:26:42] for reviews for the film that I loved.

[00:26:45] Since then, I listened to all our episodes from the older ones to the new ones.

[00:26:48] I love you people and the guests that come on your podcast, Sal, Beth, P2, Yamini.

[00:26:53] Yamini's coming soon.

[00:26:55] I love the fact that even you are being mean about an actor or director.

[00:26:58] It comes with a place of affection and sense of humor.

[00:27:03] Through the episodes, I have discovered so many actors.

[00:27:05] Thanks for that.

[00:27:06] And my favorite episodes are

[00:27:09] That's a great episode with Sal,

[00:27:12] and just for pure fun,

[00:27:15] listen to so many times.

[00:27:18] I feel like I am with friends while I'm listening to you.

[00:27:22] You people bring me so much joy to my daily life.

[00:27:24] Love you.

[00:27:27] Yeah.

[00:27:28] I just love that we give this feeling to people, you know,

[00:27:31] that they're listening to friends talk about, you know, bullshit and movies.

[00:27:35] And I really, this was the reason why we started the podcast.

[00:27:40] And I think it's so important and so great to hear that it's resonating still after 250 episodes.

[00:27:47] I will say,

[00:27:49] a lot of our Patreon is non-Indian listeners,

[00:27:53] just because Patreon is very hard for you to sign up with a, you know,

[00:27:58] I think with an Indian bank account.

[00:28:00] I don't know what's exactly going on.

[00:28:02] I know it's hurting our, you know, ROI generally,

[00:28:05] but I'd love to hear from our Indian listeners too,

[00:28:07] or our Pakistani listeners.

[00:28:12] Sorry, I was going to make like a really mean joke about the economical state of Pakistan,

[00:28:17] but I was like,

[00:28:17] yeah,

[00:28:18] I was going to say,

[00:28:26] drop us an email at youportesting at gmail.com.

[00:28:28] I would love to hear what you feel of the journey of 250 episodes of Khanda.

[00:28:32] And, you know,

[00:28:32] I want to read those out too,

[00:28:34] if you haven't been able to join the Patreon.

[00:28:38] And when we will be doing Instagram,

[00:28:41] join us on the Instagram live,

[00:28:42] because I would love to interact with you when we are doing those Instagram lives

[00:28:46] and keep an eye out on our socials.

[00:28:49] So, you know,

[00:28:50] when that will be sometime in November.

[00:28:52] Yeah.

[00:28:53] Anything else you guys want to add on this?

[00:28:55] Amrita Sujoy?

[00:28:57] No,

[00:28:57] thank you for,

[00:28:58] you know,

[00:28:59] joining us on this ride.

[00:29:00] And here's to many,

[00:29:01] many more.

[00:29:03] Yeah,

[00:29:03] here's to another 250.

[00:29:07] Yeah,

[00:29:07] let's get it.

[00:29:08] Let's start with our main review then,

[00:29:10] which is Dil Tera Aashik.

[00:29:15] I don't know why we picked this movie for 250th episode,

[00:29:19] to be honest.

[00:29:19] Like,

[00:29:20] I don't know what planning went.

[00:29:21] I think all the stars aligned.

[00:29:23] It couldn't have been a better match,

[00:29:25] to be honest.

[00:29:26] I can sense that we are going to have a good time talking about this movie.

[00:29:33] Yes,

[00:29:34] we,

[00:29:35] like when we,

[00:29:36] like the idea was,

[00:29:37] let's pick an old Salman Khan movie,

[00:29:39] because again,

[00:29:39] clearly,

[00:29:40] a lot of people love these older movies,

[00:29:42] and we hadn't done an older Salman one for a long time.

[00:29:45] We're running out of Amir movies.

[00:29:47] I think we're,

[00:29:47] we should do something once we have done all Amir movies.

[00:29:51] There's going to be a lot of shitty movies now,

[00:29:53] that we will have to be talking about,

[00:29:55] you know,

[00:29:55] and Dil Tera Aashik is one of those.

[00:29:57] Amrita,

[00:29:58] have you seen Dil Tera Aashik before?

[00:30:00] I don't.

[00:30:02] Is this a race three situation?

[00:30:04] Once I saw,

[00:30:05] no,

[00:30:05] no,

[00:30:06] I,

[00:30:06] once I saw Madhuri in the old lady get up,

[00:30:10] I knew that I'd seen it.

[00:30:13] But,

[00:30:13] I don't,

[00:30:15] I don't know if I remembered even a single thing about this movie.

[00:30:19] I'd forgotten that even that,

[00:30:20] that song,

[00:30:22] like,

[00:30:22] what's it called?

[00:30:24] Kamse Kam Itana Hii,

[00:30:26] what,

[00:30:26] what is it?

[00:30:28] That song,

[00:30:29] right?

[00:30:29] Kamse Kam Itana Kaha Hota,

[00:30:32] Hota,

[00:30:32] yeah,

[00:30:33] that one.

[00:30:34] Like,

[00:30:35] I remember that song,

[00:30:37] but also,

[00:30:39] and we'll talk about this later,

[00:30:41] but like,

[00:30:41] so this movie is a Lawrence D'Souza film,

[00:30:43] and Lawrence D'Souza is just one of those directors from the 90s that very clearly had his own crew,

[00:30:51] his own preferred locations.

[00:30:54] And so,

[00:30:55] you know,

[00:30:55] like everything from the interiors of the house to the sets of the parties to that tree that I think Madhuri has danced around in about 10 different movies with like different actors.

[00:31:10] Yeah.

[00:31:11] Um,

[00:31:12] the hilltop that I think both Salman and Madhuri have danced on and like Shah Rukh and Aamir and like literally everybody in the 90s has danced on that hilltop in like multiple movies.

[00:31:23] Like all of that is just so familiar that even if I hadn't seen this movie,

[00:31:28] I would have been like,

[00:31:29] yeah,

[00:31:29] I've seen this movie.

[00:31:31] Yeah.

[00:31:32] Because it's just those bits and pieces,

[00:31:34] right?

[00:31:34] Of everything.

[00:31:35] Yeah.

[00:31:36] Yeah.

[00:31:36] Um,

[00:31:38] Sujoy,

[00:31:38] Sujoy,

[00:31:39] any memories of Dil Teraşik?

[00:31:41] I had never watched this movie before.

[00:31:43] Sure.

[00:31:43] I have only heard two of the songs of this soundtrack on Chitrahaar and whatever.

[00:31:49] Um,

[00:31:49] obviously the title track is a big,

[00:31:52] big core memory of mine.

[00:31:54] It like 90s may I used to dance to this song so much as a kid.

[00:31:58] Um,

[00:31:59] it's impossible to escape this title track.

[00:32:02] But,

[00:32:03] um,

[00:32:04] I have no memory of this movie.

[00:32:05] I had no memory of Amaduri ever in a old buddhi ka wig like this.

[00:32:12] And then everything else,

[00:32:14] the whole Anupam Kheran,

[00:32:16] Kadar Khan ki Dosti and all of that.

[00:32:18] It's nuts.

[00:32:19] This movie is so 90s.

[00:32:21] I can't even believe that this even existed.

[00:32:24] Like it feels like,

[00:32:26] um,

[00:32:27] like AI generated,

[00:32:29] you know,

[00:32:30] you throw in everything and the kitchen sink and this movie is generated out of it.

[00:32:36] Um,

[00:32:37] yes,

[00:32:37] I was actually surprised to hear that this was based on a play.

[00:32:42] Um,

[00:32:42] it's called a Charlie's aunt.

[00:32:45] Have you ever heard of this play?

[00:32:46] I'd never heard of this.

[00:32:47] No,

[00:32:48] I have no idea what that is,

[00:32:50] but usually when I'm watching a movie and it's really not capturing me as much as I thought it would,

[00:32:55] I start like also doing a bit of prep work for the podcast.

[00:32:58] You know,

[00:32:59] I'll,

[00:32:59] I'll go to Wikipedia.

[00:33:00] I'll go to IMDB,

[00:33:01] try to get some facts and stuff like that.

[00:33:02] So I was reading the plot synopsis of Charlie's aunt.

[00:33:07] And it feels like somebody only read the plot synopsis of Charlie.

[00:33:11] I never actually saw the play.

[00:33:13] Yeah.

[00:33:13] Just took some ideas.

[00:33:14] And when I was like also watching it,

[00:33:16] I was like,

[00:33:17] man,

[00:33:17] this reminds me a bit of Mrs.

[00:33:19] Doubtfire,

[00:33:20] which it also came out in 1993.

[00:33:23] So I don't think that they copied something except maybe some poster,

[00:33:27] you know,

[00:33:27] Robin Williams is an old,

[00:33:28] old lady,

[00:33:29] but there's something about in that era that,

[00:33:32] you know,

[00:33:33] you want to raise,

[00:33:34] have your children raised by unknown older ladies and like,

[00:33:38] you know,

[00:33:39] wipe your hands off of it.

[00:33:40] So I remember this movie very well.

[00:33:45] Like I remember the release of it really well because I had the soundtrack and I was watching the movie.

[00:33:52] I didn't remember anything of the movie until the first song dropped and I could see my lips moving with all of the lyrics.

[00:34:00] I was like,

[00:34:00] Oh God.

[00:34:03] The Piasai Kuey Kaya Paas Ata Hai, right?

[00:34:05] Dude,

[00:34:05] I was like,

[00:34:06] wait,

[00:34:07] like a weird,

[00:34:08] like it's in,

[00:34:08] you know,

[00:34:09] Jason Bourne,

[00:34:10] like discovers he couldn't do Kung Fu.

[00:34:12] And I was like that,

[00:34:13] wait,

[00:34:14] what am I?

[00:34:16] It's like a winter soldier getting read the trigger words and coming back to life.

[00:34:21] Exactly.

[00:34:21] I was like,

[00:34:22] I knew,

[00:34:23] I knew the dance moves of color,

[00:34:25] come say come,

[00:34:25] you know,

[00:34:26] like Amrita cannot even say,

[00:34:27] I just couldn't do the whole thing.

[00:34:28] Oh man.

[00:34:29] So this was really like a repressed memory.

[00:34:33] It was,

[00:34:34] it was.

[00:34:35] And I was like,

[00:34:36] really like into Salman movies at that time.

[00:34:40] Because they weren't great Salman movies at the time.

[00:34:42] You know,

[00:34:43] he was,

[00:34:43] this is kind of a low phase,

[00:34:45] but also the phase that I really liked.

[00:34:48] So he was,

[00:34:49] the movies he's,

[00:34:50] he was doing was Love,

[00:34:53] Surya Vanshi,

[00:34:54] Ek Ladka,

[00:34:55] Ek Ladki,

[00:34:55] Jagruti,

[00:34:56] Nishche,

[00:34:57] Chandramukhi,

[00:34:58] Dilte Rashik,

[00:34:58] which came out on the same day.

[00:35:01] Both of these movies came out on the same day.

[00:35:03] And then after that,

[00:35:04] he did the,

[00:35:06] When was Sajan?

[00:35:08] Sajan was earlier.

[00:35:09] And that's the main thing.

[00:35:11] Both Sajan and,

[00:35:16] Dilte Rashik are kind of from the same crew,

[00:35:18] right?

[00:35:19] It's,

[00:35:19] and it's clearly wants to emulate a lot of Sajan,

[00:35:23] right?

[00:35:23] Yeah.

[00:35:23] It's the same director.

[00:35:25] It's the same writer.

[00:35:26] It's the same kind of music producers.

[00:35:29] Like,

[00:35:29] you know,

[00:35:30] like the,

[00:35:30] even the first song in the Jeep,

[00:35:32] it's pretty much the same Sajan song,

[00:35:34] right?

[00:35:35] Yeah.

[00:35:35] You just changed Lakshmi Khan Berde for Chichu Uncle and you're done,

[00:35:40] you know?

[00:35:41] And so there's a lot of hangover of Sajan in this,

[00:35:46] and they probably want to recreate a lot of that.

[00:35:49] I don't remember this movie being a big success though.

[00:35:52] I think both Chandramukhi and Dilte Rashik came out,

[00:35:56] but I feel this was slightly more successful basically because of the music,

[00:36:01] because the music sold.

[00:36:02] And at that time,

[00:36:05] a movie could be successful just by having a good soundtrack.

[00:36:08] And this just has that really classic 90s Nadeem Shravan song,

[00:36:13] which you kind of listen to now.

[00:36:15] And it's just so basic,

[00:36:16] right?

[00:36:17] Yeah.

[00:36:17] But you know,

[00:36:18] it made Sujoy dance at the party.

[00:36:19] So,

[00:36:20] Oh my God,

[00:36:20] that title track.

[00:36:22] Like,

[00:36:23] Tu hai sanam mera yaar.

[00:36:25] And the dholak picks up.

[00:36:27] And I'm like,

[00:36:28] Yeh mujhe kya hor rahe hai?

[00:36:29] I'm like,

[00:36:30] you know,

[00:36:30] that mask video.

[00:36:32] When they sing Cuban Pete.

[00:36:34] Your Cuban Pete.

[00:36:36] It's that.

[00:36:37] It's that for me.

[00:36:38] That I'm telling you.

[00:36:39] That I'm telling you.

[00:36:42] I just want to go run and slide on my knees immediately.

[00:36:47] In Uti.

[00:36:48] In Uti.

[00:36:49] Oh man.

[00:36:52] So,

[00:36:53] Amrita,

[00:36:54] first thoughts on,

[00:36:56] like,

[00:36:56] what is your general impression on Dil Tera Ashik,

[00:36:58] having seen it now for the podcast?

[00:37:00] Oh,

[00:37:00] I mean,

[00:37:01] it's terrible.

[00:37:05] What do you want me to say?

[00:37:08] Um,

[00:37:08] it is,

[00:37:10] first of all,

[00:37:10] it is very much one of those movies that you can tell that they were making it up as they went along.

[00:37:16] Right?

[00:37:17] 100%.

[00:37:17] On the fly.

[00:37:18] No.

[00:37:19] Yeah.

[00:37:20] There is no such thing as like a plot.

[00:37:22] There's like,

[00:37:22] this happened,

[00:37:23] this happened,

[00:37:25] oh shit,

[00:37:26] we forgot about that.

[00:37:27] So,

[00:37:28] like,

[00:37:28] this happened.

[00:37:30] I think like,

[00:37:31] a lot of the movies were getting shot in Uti and they were like,

[00:37:35] oh,

[00:37:36] Asrani is shooting in the next,

[00:37:38] you know,

[00:37:39] slot,

[00:37:39] bring him in for like five scenes.

[00:37:44] That's what Johnny Lever says a lot,

[00:37:46] right?

[00:37:46] Like,

[00:37:46] they just brought him in and they say like,

[00:37:48] this scene is yours,

[00:37:49] just do what you want.

[00:37:50] And then he just had to improvise.

[00:37:51] And it's sure,

[00:37:52] like there's a few sequences and scenes in this movie where Madhuri says something and Salman has nothing to say back because he has no lines and vice versa.

[00:38:03] You know,

[00:38:03] because Salman,

[00:38:04] Salman is just clearly just going off of vibes,

[00:38:06] right?

[00:38:06] Like he's like just doing whatever the hell he wants.

[00:38:09] And sometimes it's because there's no linchpin to hold it together.

[00:38:14] They just have nothing to say to each other.

[00:38:16] Like this movie has Salman Khan and Madhuri and neither of these huge people,

[00:38:22] which stars has an entry.

[00:38:24] They just show up.

[00:38:25] Like suddenly she just shows up.

[00:38:26] It's like,

[00:38:26] what?

[00:38:27] What happened?

[00:38:27] Like there's no buildup.

[00:38:29] They're just there and they have nothing to say.

[00:38:31] Salman Khan walks in and he has no dialogue.

[00:38:34] He's just doing the,

[00:38:35] you know,

[00:38:35] the head bop once left from Andaz Apna Apna.

[00:38:38] And Madhuri's intro scene is with Yunus Parves.

[00:38:45] I clapped so hard.

[00:38:47] But all of the supporting cast though in this movie is amazing.

[00:38:53] Like,

[00:38:53] like the people that you see in this movie are people you have not seen in ages.

[00:38:59] You know,

[00:38:59] like even the,

[00:39:02] the girl that she's sitting with in the train.

[00:39:05] Guddi Maruti.

[00:39:06] Yeah.

[00:39:08] How long have you not seen Guddi Maruti?

[00:39:10] Right?

[00:39:11] Yeah.

[00:39:11] And also Salman's friend,

[00:39:13] the big,

[00:39:14] the big guy.

[00:39:15] Chuchu Chachu.

[00:39:16] Chuchu Chachu.

[00:39:18] Chuchu Chachu.

[00:39:18] From Palat.

[00:39:19] Yeah.

[00:39:20] Bro.

[00:39:21] But like,

[00:39:23] these are all like,

[00:39:25] but you know,

[00:39:26] like even with all of those things,

[00:39:28] right?

[00:39:28] Like Salman and Madhuri are like so luminous.

[00:39:32] Like Madhuri,

[00:39:33] this is like peak.

[00:39:35] This is that era from the nineties where Madhuri,

[00:39:38] before she started working with Yashopra.

[00:39:40] So she's still wearing all that drag queen makeup,

[00:39:43] right?

[00:39:43] It's just like too much mascara.

[00:39:45] Like there's just like,

[00:39:47] like she can barely keep her eyes open in some scenes because she's got so much mascara and eye makeup on.

[00:39:53] And I'm not even kidding.

[00:39:55] Like you have to watch some of these songs.

[00:39:56] Like,

[00:39:57] you know,

[00:39:57] she's like squinting because her lashes are just like falling on her.

[00:40:04] But she,

[00:40:06] her face is just,

[00:40:07] she has like about 10 expressions for every 30 seconds.

[00:40:11] You know,

[00:40:12] like it's just such a mobile face.

[00:40:14] And she and Salman are like so great together.

[00:40:17] Like,

[00:40:19] you absolutely.

[00:40:20] It's like a film.

[00:40:21] It's like a film.

[00:40:22] It's so film.

[00:40:23] And this is despite the terrible direction because like they're like,

[00:40:26] scenes where like,

[00:40:28] you know,

[00:40:28] like,

[00:40:28] like Asim was saying,

[00:40:30] there are like scenes where Madhuri is saying and like Salman doesn't have a reply.

[00:40:34] But there are also scenes where like Salman is just staring somewhere in some,

[00:40:40] some direction.

[00:40:41] And you're like,

[00:40:42] what are you looking at?

[00:40:43] And then Madhuri comes out of like some other direction.

[00:40:46] And you're just like,

[00:40:47] what,

[00:40:47] who was the camera person for this?

[00:40:50] Like what?

[00:40:51] There's a shot.

[00:40:52] There's a shot where Salman looks at the camera straight.

[00:40:54] Like,

[00:40:55] like it's,

[00:40:56] I think it's Anupam Kher talking to the camera and Salman's eyes are just like everywhere.

[00:41:00] Like is the shot done?

[00:41:02] Am I supposed,

[00:41:02] like he does not know because there's clearly no direction.

[00:41:05] Do you know who's the camera person?

[00:41:07] The cinematography is also done by Lawrence D.

[00:41:10] Sousa.

[00:41:12] Makes sense.

[00:41:13] Can I say the movies Madhuri was in at this time,

[00:41:17] just to say,

[00:41:18] this is peak Madhuri,

[00:41:20] right?

[00:41:20] Like this is the era she in 93.

[00:41:23] She did Kal Nayak,

[00:41:24] Pool,

[00:41:25] Dil Tera Aashik,

[00:41:27] Aasubane Angare,

[00:41:28] which I don't know,

[00:41:29] Saheban,

[00:41:31] Jai Deva and Anjaam.

[00:41:33] Like the,

[00:41:33] oh,

[00:41:33] sorry.

[00:41:33] Anjaam was 94.

[00:41:35] Like this.

[00:41:36] Is Aasubane Angare the mython movie?

[00:41:40] Let me see.

[00:41:41] Is it the mython movie?

[00:41:42] It is no,

[00:41:44] it,

[00:41:44] no,

[00:41:45] it's,

[00:41:46] this stars Jitendra,

[00:41:49] and,

[00:41:51] and Deepak Tijori.

[00:41:54] You're thinking about Pool Bane Angare,

[00:41:57] the Rekha and,

[00:41:57] ah,

[00:41:59] nevermind.

[00:42:00] Man,

[00:42:00] even Pool,

[00:42:01] remember that movie Pool?

[00:42:03] That was such a big hit,

[00:42:04] that movie.

[00:42:05] Like musically,

[00:42:07] with Kumar Gaurav?

[00:42:09] Yeah.

[00:42:09] You don't remember?

[00:42:10] Wait,

[00:42:11] I thought you had never seen a Kumar Gaurav movie other than Kante.

[00:42:14] I've not seen,

[00:42:14] I've not seen Pool.

[00:42:16] I've not seen Pool.

[00:42:17] Okay.

[00:42:17] Yeah.

[00:42:18] Yeah.

[00:42:18] This was another discovery that Amrita made today.

[00:42:21] Like,

[00:42:21] we had our friend Anandari say that,

[00:42:24] um,

[00:42:24] we need to review love story.

[00:42:27] Yeah.

[00:42:27] The old love story.

[00:42:28] And I told her,

[00:42:29] I've never seen a Kumar Gaurav movie except Kante.

[00:42:32] And Amrita was like,

[00:42:34] I did not know,

[00:42:35] but that also makes completely,

[00:42:36] a lot of sense.

[00:42:40] By the way,

[00:42:41] I want to point out from the supporting cast onwards,

[00:42:44] um,

[00:42:45] but also the writer,

[00:42:47] this is a very Nepo casting,

[00:42:48] right?

[00:42:49] So the movie starts with the,

[00:42:51] um,

[00:42:52] you know,

[00:42:52] a tribute to DK Sapru,

[00:42:54] who is one of the producers,

[00:42:55] I guess,

[00:42:56] uh,

[00:42:56] Rima Rakesh Nath,

[00:42:57] who is the writer of this movie is the daughter of,

[00:43:00] um,

[00:43:00] DK Sapru,

[00:43:01] who is a veteran actor of Bollywood.

[00:43:03] He's been like judge or police officer in a lot of the black and white

[00:43:07] movies of Bollywood.

[00:43:08] And then there's obviously Tate Sapru who also plays the Pratap Singh,

[00:43:12] the nemesis of Anupam Kheer's character in this movie.

[00:43:16] Um,

[00:43:16] yeah,

[00:43:17] I just wanted to point out all those Riste Dari.

[00:43:19] So there's a lot of cameos,

[00:43:21] special appearances in this movie.

[00:43:23] Like Anil Kapoor shows up,

[00:43:24] has no dialogue.

[00:43:25] Yeah.

[00:43:25] Deepak Tujuri.

[00:43:26] Oh yeah.

[00:43:27] Yeah.

[00:43:28] Deepak Tujuri shows up and gives an award at the,

[00:43:31] in the same sequence.

[00:43:32] They're not even spread out.

[00:43:33] It's like in the same sequence,

[00:43:34] both of them show up.

[00:43:35] Like Deepak was not enough.

[00:43:37] Anil Kapoor.

[00:43:38] You know,

[00:43:38] that kind of thing.

[00:43:39] Was there any appearance,

[00:43:40] like you mentioned,

[00:43:41] Eunice Parvez,

[00:43:42] Gudi Maruti,

[00:43:42] was there ever one appearance that you like clapped or guffawed or like got

[00:43:46] really happy seeing this old face that you hadn't seen?

[00:43:49] Well,

[00:43:49] not that old face that I hadn't seen,

[00:43:52] but this movie goes on for a while.

[00:43:55] And at the two hour 10 mark,

[00:43:57] you see Shakti Kapoor.

[00:43:59] Yeah.

[00:44:00] You see Shakti Kapoor at two hour 10 mark.

[00:44:02] With Razak Khan,

[00:44:03] by the way,

[00:44:04] with Ninja Chachu.

[00:44:05] Ninja Chacha.

[00:44:06] Also playing a ninja.

[00:44:08] And Shakti Kapoor's name is Black Eye.

[00:44:12] Yeah.

[00:44:13] And he speaks in a really weird,

[00:44:16] made up language with Ninja Chacha.

[00:44:20] He does the usual Shakti Kapoor,

[00:44:22] Raja Babu thing.

[00:44:23] Like Hitchkyan,

[00:44:24] Hitchkyan,

[00:44:24] Hitchkyan,

[00:44:25] that kind of thing.

[00:44:26] Right?

[00:44:26] He does.

[00:44:28] But can I point out his gang's name is Black Eye.

[00:44:34] All of the men,

[00:44:35] his henchmen have a t-shirt with a white eye on it.

[00:44:41] It's a black t-shirt,

[00:44:43] but the eye is white.

[00:44:45] Like it just doesn't make any sense.

[00:44:47] But just wanted to point that out.

[00:44:49] Mother,

[00:44:50] Mother.

[00:44:51] Amrita,

[00:44:52] I can call you Mother now.

[00:44:54] It's podcast Mother.

[00:44:56] Was there any appearance that kind of stood out

[00:44:58] that you got happy about?

[00:44:59] Because I have one.

[00:45:00] Okay.

[00:45:01] Okay.

[00:45:01] You first.

[00:45:03] The one that really made me happy was

[00:45:05] Dr. Saab,

[00:45:06] Kedarnath Segal,

[00:45:07] showing up in this.

[00:45:10] Oh, God.

[00:45:11] Because he always plays a doctor or a policeman.

[00:45:16] And as a doctor,

[00:45:17] he gives the worst advice ever

[00:45:19] because he does not read the room whatsoever.

[00:45:23] Like this,

[00:45:23] there's this jhoparpatti,

[00:45:25] they don't have any money.

[00:45:25] And he's like,

[00:45:26] yeah,

[00:45:27] I'll ask you a lot of money.

[00:45:28] He's like,

[00:45:28] Dr. Saab,

[00:45:29] read the room.

[00:45:32] That whole

[00:45:33] madhuri setup,

[00:45:34] it was so,

[00:45:35] you know,

[00:45:37] Vidwa Maa coded.

[00:45:38] Yeah.

[00:45:44] Also,

[00:45:45] they still had a Mausi Ji

[00:45:46] sleeping outside of the...

[00:45:48] Yeah,

[00:45:49] what the hell was that?

[00:45:50] I wanted to ask you guys

[00:45:52] because I don't understand

[00:45:54] like caste in India.

[00:45:57] Maa ko khasi aani legi

[00:45:59] and she runs outside

[00:46:00] and Mausi Ji

[00:46:00] is just sleeping on the floor outside.

[00:46:02] Yeah.

[00:46:03] What is,

[00:46:03] who's,

[00:46:03] is that,

[00:46:04] Mausi Ji means aunt?

[00:46:06] Like,

[00:46:06] is that their proper aunt

[00:46:07] that they're keeping outside of the house

[00:46:09] or is this like a cleaning lady

[00:46:10] that sleeps outside?

[00:46:11] I have no idea what's happening.

[00:46:12] Okay.

[00:46:13] Yeah.

[00:46:13] That,

[00:46:13] I had questions about that

[00:46:15] because I was like,

[00:46:15] what,

[00:46:15] what are you doing,

[00:46:16] Maaduri?

[00:46:18] Yeah.

[00:46:19] Yeah.

[00:46:20] Amrita,

[00:46:20] anyone,

[00:46:21] any appearance

[00:46:21] that stood out for you?

[00:46:23] Like,

[00:46:23] Anil Kapoor or whatever,

[00:46:24] you know?

[00:46:25] I genuinely,

[00:46:26] like,

[00:46:26] I was just so,

[00:46:28] I think like 15 minutes

[00:46:29] into this movie,

[00:46:30] I was just absolutely

[00:46:31] done with it.

[00:46:34] I was like,

[00:46:35] yeh kab khatam ho ga

[00:46:36] and then it just went on

[00:46:37] for like,

[00:46:38] what seemed like

[00:46:39] the rest of my life.

[00:46:40] So,

[00:46:41] no,

[00:46:42] I think that...

[00:46:42] There are two kinds of people

[00:46:43] on this podcast.

[00:46:44] One is like Amrita

[00:46:45] who give up early

[00:46:46] and then there's Asim

[00:46:48] who wrote 10 pages of notes.

[00:46:51] I'm only on page two,

[00:46:52] guys.

[00:46:54] I also have,

[00:46:55] yeah,

[00:46:55] I also have 10 pages of notes

[00:46:57] and all my notes are,

[00:46:58] I hate this,

[00:46:59] I hate this,

[00:46:59] I hate this.

[00:47:00] When will death come to me?

[00:47:03] Those are like,

[00:47:04] my notes.

[00:47:06] You're like Jack Nicholson

[00:47:07] in The Shining.

[00:47:08] I hate this,

[00:47:10] I hate this,

[00:47:10] I hate this.

[00:47:13] Kadir Khan shows up

[00:47:14] in this too.

[00:47:16] Yes.

[00:47:18] And I love Kadir Khan.

[00:47:20] There's a few of these people,

[00:47:21] you know,

[00:47:22] watching these old movies

[00:47:23] where my love has really grown for.

[00:47:26] Kadir Khan is one of those,

[00:47:27] the other is Amrish Puri.

[00:47:28] You know,

[00:47:29] these two people,

[00:47:29] I love them so much now

[00:47:31] that I already like them,

[00:47:32] but now,

[00:47:33] you know,

[00:47:35] as a kid,

[00:47:35] when you watch them,

[00:47:36] they're like the villains

[00:47:37] or something

[00:47:38] and you have like this,

[00:47:39] oh,

[00:47:39] Kadir Khan is a comedian

[00:47:40] or the villain

[00:47:40] when you go really back,

[00:47:41] you know.

[00:47:42] So you have these feelings

[00:47:43] towards them as a kid

[00:47:44] that are like,

[00:47:44] oh,

[00:47:45] oh,

[00:47:45] they're villain,

[00:47:46] you can't like them

[00:47:46] or whatever.

[00:47:47] But as in,

[00:47:48] like going back

[00:47:49] and now watching them,

[00:47:50] they're so amazing,

[00:47:51] man,

[00:47:51] these performers.

[00:47:54] But because,

[00:47:55] you know,

[00:47:55] there was no written material

[00:47:57] to back that up.

[00:47:57] That is total,

[00:47:59] like 100% on screen talent

[00:48:01] that's been on display,

[00:48:02] you know.

[00:48:02] Yeah.

[00:48:04] Like,

[00:48:04] nobody was writing

[00:48:05] Kadir Khan's lines.

[00:48:06] It was him doing his thing

[00:48:08] and it was so good.

[00:48:09] And Kadir Khan breaks

[00:48:11] the fourth wall twice in this movie.

[00:48:13] Yeah,

[00:48:13] fucking amazing.

[00:48:14] Do you want to talk about that?

[00:48:18] I can't remember which parts though,

[00:48:20] but I did remember.

[00:48:22] One was when he's talking

[00:48:24] to Tej Sapru

[00:48:26] who's trying to,

[00:48:27] you know,

[00:48:27] cheat him.

[00:48:28] So he talks to the audience

[00:48:30] saying,

[00:48:31] you know,

[00:48:31] oh,

[00:48:32] I'm not that kind of person

[00:48:33] that gets to,

[00:48:34] would sell his soul.

[00:48:36] The second time,

[00:48:37] he's in Namaste,

[00:48:37] Namaste,

[00:48:38] the song.

[00:48:39] And they're just going,

[00:48:40] Namaste,

[00:48:41] Namaste,

[00:48:41] Namaste,

[00:48:42] Namaste,

[00:48:43] Namaste,

[00:48:43] Namaste,

[00:48:44] Namaste,

[00:48:44] Namaste.

[00:48:45] Kadir Khan switches around

[00:48:47] to the camera,

[00:48:47] like,

[00:48:47] dance,

[00:48:48] dance,

[00:48:49] dance,

[00:48:50] you know,

[00:48:50] like,

[00:48:50] this is the jam.

[00:48:51] It's just like,

[00:48:54] it's like,

[00:48:55] 7,000 times,

[00:48:56] Namaste,

[00:48:57] and that's the song,

[00:48:58] you know,

[00:48:58] like,

[00:48:58] you would think this is an

[00:49:00] Anu Malik soundtrack,

[00:49:01] but it's not.

[00:49:02] It's an Adim Shravan soundtrack.

[00:49:04] Oh,

[00:49:05] God.

[00:49:06] Hilarious.

[00:49:07] But he is dressed,

[00:49:08] so he's playing this out-of-work actor

[00:49:10] called,

[00:49:13] Kumar,

[00:49:14] but he has a Muslim name

[00:49:15] at the start.

[00:49:16] Naseeb Kumar.

[00:49:17] Naseeb,

[00:49:18] yeah.

[00:49:18] Naseeb Kumar,

[00:49:20] But he also,

[00:49:21] he's dressed like

[00:49:23] he goes to

[00:49:24] Club Angara,

[00:49:25] basically.

[00:49:26] Yeah.

[00:49:29] That's a deep cut.

[00:49:30] That's a deep cut.

[00:49:32] But it's the first thing

[00:49:34] that popped into my mind

[00:49:35] when I saw the clothes

[00:49:36] that he's wearing.

[00:49:37] They are back in fashion now,

[00:49:39] by the way.

[00:49:39] I'll be wearing

[00:49:40] a Kadir Khan suit

[00:49:41] with Raj Kapoor

[00:49:43] and Dilip Kumar

[00:49:44] all over each side.

[00:49:47] Amrita,

[00:49:47] you're saying,

[00:49:48] you know,

[00:49:49] Madhuri dresses like a drag queen

[00:49:50] and like the fashion

[00:49:51] is really bad,

[00:49:52] but there's some

[00:49:54] cuts

[00:49:54] and some

[00:49:55] looks that are amazing

[00:49:57] that 100%

[00:49:59] would work now

[00:49:59] and they look amazing.

[00:50:01] I'm pointing out one

[00:50:02] where Madhuri's playing

[00:50:04] in a yellow

[00:50:05] shalwar kameez.

[00:50:06] She looks

[00:50:07] so damn amazing

[00:50:08] and there's one

[00:50:10] with Salman

[00:50:11] where he's wearing

[00:50:11] this leather jacket

[00:50:12] with a black t-shirt

[00:50:14] underneath

[00:50:15] and like wide

[00:50:16] bottom black pants

[00:50:18] and like a chain.

[00:50:20] I was like,

[00:50:20] 100% I've seen people

[00:50:21] would die for this fit.

[00:50:23] Like,

[00:50:23] it looks amazing.

[00:50:24] But I don't know,

[00:50:25] for the rest of it

[00:50:26] it's just basically vibes,

[00:50:27] you know,

[00:50:28] they had no budget

[00:50:28] for any wardrobe

[00:50:30] or whatsoever,

[00:50:31] but a few times

[00:50:32] they look so damn

[00:50:32] interesting.

[00:50:33] Also,

[00:50:34] again,

[00:50:35] going back to the title track

[00:50:37] after the main bit

[00:50:39] and then when they

[00:50:39] change the costume,

[00:50:40] Madhuri comes in this

[00:50:41] pinkish

[00:50:42] Salman color

[00:50:43] saree.

[00:50:44] Oof.

[00:50:45] Oof.

[00:50:46] Oh yeah.

[00:50:47] Can I also say

[00:50:48] even as an old lady

[00:50:49] when she's doing

[00:50:50] that dhag dhag thing,

[00:50:51] like we were talking

[00:50:52] about the

[00:50:53] bhol bulaiya thing,

[00:50:54] right?

[00:50:54] Like you can never

[00:50:55] make Madhuri ugly.

[00:50:56] That was like the same thing.

[00:50:58] I was like,

[00:50:58] you can never make

[00:51:01] Madhuri look bad

[00:51:02] like as an old lady

[00:51:03] or whatever.

[00:51:04] She just is fire,

[00:51:05] man.

[00:51:05] Like,

[00:51:06] and she just did

[00:51:07] dhag dhag,

[00:51:08] right?

[00:51:08] She just did

[00:51:09] beta

[00:51:09] and now she's

[00:51:10] spoofing it

[00:51:11] in her own movie

[00:51:12] and she does it

[00:51:14] with comedy

[00:51:15] and then also

[00:51:17] still being like

[00:51:18] attractive and sensual,

[00:51:20] right?

[00:51:20] It's that mix

[00:51:21] that requires

[00:51:22] a skill set

[00:51:24] that,

[00:51:24] you know,

[00:51:24] is only somebody

[00:51:26] like Madhuri

[00:51:27] could deliver,

[00:51:27] you know?

[00:51:27] It's really amazing.

[00:51:31] So this movie

[00:51:32] centers around

[00:51:33] Anopam Kheir

[00:51:34] is taking care

[00:51:36] of these

[00:51:36] two kids

[00:51:38] and then Salman

[00:51:40] is also the kid

[00:51:40] which I was

[00:51:42] this twist

[00:51:43] and reveal

[00:51:44] in this story

[00:51:45] was so crazy

[00:51:46] because

[00:51:46] so the thing

[00:51:48] is that

[00:51:49] Salman

[00:51:50] and these

[00:51:50] two kids

[00:51:51] mom

[00:51:51] who is

[00:51:52] Anopam Kheir's

[00:51:53] sister

[00:51:54] married somebody

[00:51:55] and Anopam Kheir

[00:51:56] basically said

[00:51:57] I don't want

[00:51:58] to talk to you

[00:51:58] anymore

[00:51:59] like go away,

[00:52:00] right?

[00:52:01] But when the

[00:52:02] mom dies

[00:52:03] she says

[00:52:04] go to my

[00:52:05] brother's place

[00:52:06] and I kept

[00:52:07] thinking

[00:52:07] Salman is

[00:52:08] old enough

[00:52:09] to take care

[00:52:10] of these

[00:52:10] children on

[00:52:11] his own.

[00:52:12] Why does he

[00:52:13] even need to

[00:52:13] go to Anopam Kheir?

[00:52:14] Take your

[00:52:16] responsibility

[00:52:17] take care of

[00:52:19] your damn

[00:52:20] so understanding

[00:52:21] that these

[00:52:22] kids were

[00:52:24] Salman's

[00:52:25] younger siblings

[00:52:26] that absolutely

[00:52:28] made no sense

[00:52:29] to me

[00:52:30] whatsoever

[00:52:31] but

[00:52:31] so

[00:52:33] Anopam Kheir is

[00:52:34] very mean

[00:52:35] to these

[00:52:36] kids

[00:52:36] right?

[00:52:37] And that's

[00:52:37] where he

[00:52:37] needs an

[00:52:38] older nanny

[00:52:39] and that's

[00:52:40] when Madhuri

[00:52:40] comes in

[00:52:41] in the

[00:52:41] getup.

[00:52:42] The more

[00:52:43] you see

[00:52:43] these kids

[00:52:44] Amrita

[00:52:45] do you

[00:52:46] feel

[00:52:48] that Anopam

[00:52:50] Kheir was

[00:52:50] right the

[00:52:51] way he

[00:52:51] treats

[00:52:51] these little

[00:52:52] bastards?

[00:52:56] Yeah,

[00:52:57] these are

[00:52:58] like very

[00:52:58] like

[00:52:59] gande-gande

[00:52:59] bache

[00:53:00] jay

[00:53:01] like I

[00:53:02] yeah

[00:53:03] but then

[00:53:04] like also

[00:53:05] like Anopam Kheir

[00:53:06] is like

[00:53:07] cosplaying

[00:53:08] less like

[00:53:09] you know

[00:53:09] like the

[00:53:09] way he's

[00:53:10] dressed in

[00:53:11] this film

[00:53:11] it's very

[00:53:12] like

[00:53:13] pedo

[00:53:14] so

[00:53:15] every time

[00:53:16] I see him

[00:53:18] I'm just

[00:53:18] like stranger

[00:53:19] danger

[00:53:19] but also

[00:53:20] like these

[00:53:21] kids are

[00:53:22] like terrible

[00:53:22] so I'm

[00:53:23] like I

[00:53:23] don't know

[00:53:24] what to

[00:53:24] do with

[00:53:24] this.

[00:53:25] Do you

[00:53:26] feel that

[00:53:26] you are

[00:53:27] projecting

[00:53:27] that because

[00:53:28] this movie

[00:53:28] is in

[00:53:29] the

[00:53:29] Anjaam

[00:53:30] Wala

[00:53:30] Ghar

[00:53:30] like you

[00:53:31] just

[00:53:31] projecting

[00:53:32] that kind

[00:53:33] of like

[00:53:33] you know

[00:53:34] energy of

[00:53:35] this house

[00:53:35] seems to

[00:53:36] have bad

[00:53:37] mojo

[00:53:37] basically

[00:53:37] we've been

[00:53:38] talking about

[00:53:39] houses we

[00:53:40] had the

[00:53:40] whole

[00:53:40] Jigra

[00:53:40] thing where

[00:53:41] it was

[00:53:41] the

[00:53:41] house

[00:53:42] now we

[00:53:43] have

[00:53:43] the

[00:53:44] Anjaam

[00:53:44] Wala

[00:53:44] Ghar

[00:53:45] houses

[00:53:46] have energies

[00:53:47] man like

[00:53:47] it's that

[00:53:48] that worldly

[00:53:49] staircase

[00:53:50] of the

[00:53:50] Anjaam

[00:53:51] house and

[00:53:51] that nonsense

[00:53:53] pool that

[00:53:54] they have

[00:53:54] in the

[00:53:55] middle of

[00:53:55] the thing

[00:53:55] it just

[00:53:56] feels really

[00:53:56] weird like

[00:53:57] this house

[00:53:58] has really

[00:53:58] bad energy

[00:53:59] I feel

[00:54:00] yeah these

[00:54:01] kids I

[00:54:03] don't know

[00:54:03] these kids

[00:54:03] but I

[00:54:04] wanted to

[00:54:05] beat them

[00:54:05] up you

[00:54:05] know like

[00:54:06] I was

[00:54:06] like if

[00:54:07] you have

[00:54:08] a spectrum

[00:54:09] on the

[00:54:10] one hand

[00:54:10] the best

[00:54:10] child actor

[00:54:11] is probably

[00:54:12] Munni in

[00:54:13] Bajrangi

[00:54:13] Bhaijaan

[00:54:14] if you go to

[00:54:15] the other

[00:54:15] side of the

[00:54:16] spectrum you

[00:54:16] have these

[00:54:16] kids who

[00:54:17] are probably

[00:54:18] related to

[00:54:18] Laurence

[00:54:19] D'Souza I

[00:54:19] think

[00:54:21] what other

[00:54:21] reason might

[00:54:22] there be

[00:54:22] I just want

[00:54:23] to point out

[00:54:24] that

[00:54:24] Asim's

[00:54:25] favorite kid

[00:54:25] is the

[00:54:26] one that

[00:54:26] doesn't

[00:54:27] speak

[00:54:33] she does

[00:54:34] say

[00:54:34] at one

[00:54:37] point when

[00:54:38] Madhuri and

[00:54:39] the kids

[00:54:39] are like

[00:54:40] they have

[00:54:41] negotiated and

[00:54:42] they are on

[00:54:42] the same

[00:54:42] team and

[00:54:43] they start

[00:54:43] dancing

[00:54:44] they play

[00:54:45] a song

[00:54:45] which is

[00:54:46] so

[00:54:47] inappropriate

[00:54:47] they are

[00:54:48] dancing to

[00:54:49] let's talk

[00:54:50] about sex

[00:54:50] baby

[00:54:50] and I

[00:54:53] was like

[00:54:53] Laurence

[00:54:54] D'Souza

[00:54:54] you don't

[00:54:55] English

[00:54:56] don't

[00:54:58] that's what

[00:54:59] it was

[00:54:59] like

[00:55:00] in the

[00:55:00] 90s

[00:55:01] we were

[00:55:01] all

[00:55:01] listening

[00:55:02] to

[00:55:02] weird

[00:55:03] ass

[00:55:03] shit

[00:55:03] we were

[00:55:04] watching

[00:55:04] crazy

[00:55:05] things

[00:55:05] do you

[00:55:06] remember

[00:55:07] when Govinda

[00:55:08] was making

[00:55:08] those movies

[00:55:09] with that

[00:55:09] what's her name

[00:55:10] Pamela

[00:55:11] something

[00:55:11] Samantha Fox

[00:55:13] see how

[00:55:15] quickly we

[00:55:15] knew the

[00:55:16] name

[00:55:16] I don't

[00:55:19] know why

[00:55:22] oh I

[00:55:23] think we

[00:55:23] all know

[00:55:23] why

[00:55:24] but

[00:55:25] like it

[00:55:26] was

[00:55:26] it was

[00:55:27] like a

[00:55:27] very

[00:55:27] mainstream

[00:55:28] thing

[00:55:28] like nobody

[00:55:29] it wasn't

[00:55:30] like it

[00:55:30] was Govinda

[00:55:31] for the

[00:55:31] love of

[00:55:32] you know

[00:55:32] god

[00:55:33] like that's

[00:55:34] what it

[00:55:34] was like

[00:55:35] living in

[00:55:35] the 90s

[00:55:36] like there

[00:55:36] was just

[00:55:36] no such

[00:55:37] thing as

[00:55:38] like

[00:55:38] let's

[00:55:39] preserve

[00:55:40] their

[00:55:40] innocence

[00:55:42] they were

[00:55:44] yeah but

[00:55:45] somebody should

[00:55:45] have stopped

[00:55:46] no like

[00:55:46] okay Lawrence

[00:55:47] D'Souza doesn't

[00:55:48] speak English

[00:55:49] but Madhuri is

[00:55:49] also there

[00:55:51] she's a

[00:55:52] participant in

[00:55:53] whatever nonsense

[00:55:53] is going on

[00:55:54] you know

[00:55:54] like she's

[00:55:55] doing the

[00:55:55] moonwalk

[00:55:55] and stuff

[00:55:56] like that

[00:55:56] too you

[00:55:56] know

[00:55:59] what do

[00:56:00] you feel

[00:56:00] about the

[00:56:01] whole

[00:56:01] love story

[00:56:03] between

[00:56:04] Salman

[00:56:05] and Madhuri

[00:56:07] it's a

[00:56:08] very

[00:56:08] it's a

[00:56:09] very

[00:56:10] from the

[00:56:11] column of

[00:56:12] Lawrence

[00:56:12] D'Souza

[00:56:13] love story

[00:56:14] like it

[00:56:15] feels like

[00:56:16] this is how

[00:56:18] Lawrence D'Souza

[00:56:19] thinks love

[00:56:19] stories are

[00:56:20] this is how

[00:56:21] romance should

[00:56:22] be this is

[00:56:22] how a man

[00:56:23] should fall

[00:56:23] in love

[00:56:24] with somebody

[00:56:24] as freaking

[00:56:25] gorgeous as

[00:56:25] Madhuri

[00:56:26] Dixit has

[00:56:27] the you

[00:56:29] know the

[00:56:29] guts to

[00:56:30] like neg

[00:56:31] her

[00:56:31] yeah he

[00:56:32] negs her

[00:56:33] right

[00:56:33] yeah

[00:56:34] it's nuts

[00:56:35] like

[00:56:36] I will go

[00:56:38] to this

[00:56:39] hotel by

[00:56:40] myself

[00:56:42] high

[00:56:44] level

[00:56:44] elaborate

[00:56:45] negging

[00:56:46] I have

[00:56:46] never

[00:56:47] seen in

[00:56:47] my life

[00:56:48] so

[00:56:48] basically

[00:56:49] the moment

[00:56:50] that Madhuri

[00:56:50] falls in

[00:56:51] love with

[00:56:51] Salman

[00:56:52] Salman is

[00:56:52] like I'm

[00:56:53] out I'm

[00:56:53] not interested

[00:56:54] I'm gonna

[00:56:55] take this

[00:56:55] other girl

[00:56:55] to the

[00:56:56] hotel

[00:56:57] so he

[00:56:57] drives this

[00:56:58] girl to

[00:56:58] the hotel

[00:56:59] and then

[00:57:00] he goes

[00:57:01] to the

[00:57:01] room

[00:57:01] takes his

[00:57:02] shirt off

[00:57:03] while he

[00:57:04] knows that

[00:57:04] Madhuri is

[00:57:05] watching through

[00:57:05] the keyhole

[00:57:06] which back

[00:57:07] in the day

[00:57:07] in hotels

[00:57:07] you still

[00:57:08] had keyholes

[00:57:08] through a

[00:57:09] cat

[00:57:09] he's like

[00:57:10] I'm gonna

[00:57:11] have sex

[00:57:11] baby

[00:57:12] takes off

[00:57:13] his shirt

[00:57:13] because it's

[00:57:14] Salman he

[00:57:14] has to take

[00:57:14] off his

[00:57:15] shirt even

[00:57:15] then

[00:57:15] and then

[00:57:16] he's just

[00:57:17] like doing

[00:57:17] that thing

[00:57:18] where you

[00:57:18] you know

[00:57:18] you put

[00:57:19] your arms

[00:57:19] around

[00:57:20] yeah

[00:57:21] he's like

[00:57:24] showing all

[00:57:25] your smoochy

[00:57:25] smoochy moves

[00:57:26] you know

[00:57:26] and

[00:57:27] Madhuri is

[00:57:28] all this

[00:57:29] while trying

[00:57:29] to hang

[00:57:30] from the

[00:57:30] balcony

[00:57:31] just to

[00:57:31] have a

[00:57:31] look what's

[00:57:32] happening

[00:57:32] inside

[00:57:32] Madhuri

[00:57:33] does like

[00:57:33] a full

[00:57:34] parkour

[00:57:34] she's like

[00:57:35] you know

[00:57:35] in the

[00:57:35] start of

[00:57:36] James Bond

[00:57:36] she's like

[00:57:37] climbing on

[00:57:37] windows

[00:57:37] and things

[00:57:38] like that

[00:57:38] so then

[00:57:39] like aha

[00:57:39] all a joke

[00:57:40] I was on

[00:57:41] my own

[00:57:41] yeah

[00:57:42] would that

[00:57:43] work on

[00:57:43] you Amrita

[00:57:44] this elaborate

[00:57:45] technique of

[00:57:45] seduction

[00:57:46] what do

[00:57:47] you think

[00:57:47] I have

[00:57:51] another question

[00:57:51] for you

[00:57:52] also Amrita

[00:57:54] both Salman

[00:57:55] and Madhuri

[00:57:56] at a moment

[00:57:56] they run

[00:57:57] out of

[00:57:57] money

[00:57:58] so they

[00:57:58] say let's

[00:57:59] become a

[00:57:59] dance

[00:57:59] instructor

[00:58:00] yes

[00:58:00] at Asrani's

[00:58:02] dance studio

[00:58:03] at Asrani's

[00:58:03] dance studio

[00:58:04] one amongst

[00:58:05] many scenes

[00:58:06] where you're

[00:58:07] just like

[00:58:07] why

[00:58:07] why is this

[00:58:08] happening to

[00:58:09] me

[00:58:09] anyway

[00:58:10] proceed

[00:58:10] Amrita

[00:58:11] you were in

[00:58:13] Salman Khan's

[00:58:13] dance class

[00:58:15] how many

[00:58:16] lessons would

[00:58:17] you take

[00:58:18] before you

[00:58:18] ask for a

[00:58:19] refund

[00:58:21] you know

[00:58:22] I don't

[00:58:22] think I

[00:58:23] would even

[00:58:23] like stick

[00:58:24] around to

[00:58:24] ask for a

[00:58:25] refund

[00:58:25] I would be

[00:58:26] like let

[00:58:26] this be a

[00:58:27] lesson to

[00:58:27] me for

[00:58:29] signing up

[00:58:30] to this

[00:58:31] like I

[00:58:32] deserve

[00:58:32] whatever has

[00:58:34] happened to

[00:58:34] me

[00:58:35] because the

[00:58:36] dance class

[00:58:37] is so

[00:58:38] basic that

[00:58:39] they can't

[00:58:39] even count

[00:58:40] properly

[00:58:43] they're just

[00:58:44] five six

[00:58:45] seven eight

[00:58:45] like one

[00:58:46] two three

[00:58:46] and then

[00:58:50] they are doing

[00:58:51] the most

[00:58:52] tapori

[00:58:52] cheap ass

[00:58:53] dance on

[00:58:54] chagde from

[00:58:55] Apache Indian

[00:58:56] on the lawn

[00:58:58] yeah

[00:59:00] oh my

[00:59:01] god

[00:59:01] they just

[00:59:01] really let

[00:59:02] Salman do

[00:59:02] whatever the

[00:59:03] hell you

[00:59:03] wanted right

[00:59:04] like it's

[00:59:04] like to

[00:59:05] dance

[00:59:05] like yeah

[00:59:07] air humping

[00:59:08] left and

[00:59:09] right

[00:59:09] you know

[00:59:11] oh this

[00:59:12] movie

[00:59:13] because

[00:59:14] Madhuri is

[00:59:15] actually a

[00:59:15] good dance

[00:59:16] instructor I

[00:59:16] have to say

[00:59:17] like all

[00:59:17] all of our

[00:59:18] students are

[00:59:19] shit but

[00:59:20] you're an

[00:59:20] ooty what

[00:59:21] are you gonna

[00:59:21] do you

[00:59:21] know but

[00:59:23] she's actually

[00:59:23] putting in an

[00:59:24] effort she's

[00:59:24] like yeah

[00:59:25] doing the

[00:59:26] swing and

[00:59:26] dancing I

[00:59:27] clearly she's

[00:59:28] a great

[00:59:28] dancer but

[00:59:29] Salman on

[00:59:30] the other

[00:59:30] hand is

[00:59:31] just like

[00:59:32] Maheeni

[00:59:33] said I'm

[00:59:34] gonna show

[00:59:34] you all

[00:59:35] the moves of

[00:59:35] air humping

[00:59:36] possible

[00:59:38] yeah

[00:59:39] so Sujoy

[00:59:40] when you

[00:59:41] were doing

[00:59:41] these dances

[00:59:42] on Dil

[00:59:42] Tahirashik

[00:59:43] how many

[00:59:43] moves

[00:59:46] I was not

[00:59:47] following

[00:59:48] Salman's

[00:59:48] steps by

[00:59:49] the way

[00:59:49] yeah no

[00:59:50] air humping

[00:59:51] in front of

[00:59:51] uncle auntie

[00:59:52] no

[00:59:55] Sujoy

[00:59:55] dance

[00:59:57] dance

[00:59:59] air humping

[01:00:00] intensely

[01:00:02] oh man

[01:00:03] that brings

[01:00:04] back memories

[01:00:04] of dancing

[01:00:05] to Tu

[01:00:05] Cheese

[01:00:06] buddy

[01:00:06] because

[01:00:06] that had

[01:00:07] a lot

[01:00:08] of air

[01:00:08] humping

[01:00:08] within the

[01:00:09] you know

[01:00:10] Rekha

[01:00:10] and Chinni

[01:00:11] Prakash

[01:00:13] palang

[01:00:13] toad

[01:00:14] palang

[01:00:14] toad

[01:00:17] there's

[01:00:18] there's a

[01:00:18] lot of

[01:00:18] themes and

[01:00:19] like remember

[01:00:20] that sequence

[01:00:21] of the train

[01:00:22] comedy sequence

[01:00:23] where Salman

[01:00:23] and Maduri

[01:00:24] meet for the

[01:00:24] first time

[01:00:25] right

[01:00:26] why do

[01:00:27] they hate

[01:00:28] why does

[01:00:29] Maduri

[01:00:30] hate

[01:00:31] Guddi

[01:00:32] Maruti

[01:00:32] straight away

[01:00:33] the moment

[01:00:33] she comes

[01:00:34] in

[01:00:34] again this

[01:00:34] is one of

[01:00:35] those moments

[01:00:35] where I was

[01:00:36] like maybe

[01:00:37] I'm not part

[01:00:37] of the culture

[01:00:38] I don't

[01:00:38] understand

[01:00:39] she immediately

[01:00:40] hates her

[01:00:40] guts

[01:00:41] it's very

[01:00:42] fat shaming

[01:00:43] coded

[01:00:47] she's

[01:00:47] supposed to

[01:00:48] be the

[01:00:48] butt

[01:00:48] of the

[01:00:49] joke

[01:00:49] that was

[01:00:52] understood

[01:00:54] and underlined

[01:00:55] within

[01:00:56] Guddi

[01:00:57] Maruti's

[01:00:57] career is

[01:00:58] built upon

[01:00:58] that

[01:00:59] it's

[01:01:00] Tun Tun

[01:01:00] before her

[01:01:01] and now

[01:01:02] it's that

[01:01:03] that was part

[01:01:05] of our

[01:01:05] Bollywood

[01:01:05] culture

[01:01:06] in a way

[01:01:06] that's why

[01:01:07] Asrani is

[01:01:08] there

[01:01:08] that's why

[01:01:08] Johnny

[01:01:09] Lever was

[01:01:09] there

[01:01:10] it's all

[01:01:11] part of

[01:01:11] that same

[01:01:12] sort of

[01:01:12] comedic

[01:01:14] diet I

[01:01:14] suppose

[01:01:15] in that

[01:01:15] used to

[01:01:16] come

[01:01:16] as a

[01:01:17] side dish

[01:01:17] with your

[01:01:18] main movie

[01:01:19] these are

[01:01:19] the side

[01:01:19] dishes

[01:01:20] that you

[01:01:20] get

[01:01:20] yeah

[01:01:22] she's

[01:01:23] basically

[01:01:23] engaging

[01:01:25] with her

[01:01:25] she's

[01:01:26] being nice

[01:01:26] she's

[01:01:27] reading

[01:01:27] Stephen

[01:01:28] King

[01:01:29] yeah

[01:01:30] she's

[01:01:31] offering

[01:01:32] her

[01:01:32] to her

[01:01:33] and

[01:01:34] Madhuri

[01:01:34] is

[01:01:34] just

[01:01:34] immediately

[01:01:35] disgusted

[01:01:36] by it

[01:01:36] for no

[01:01:37] reason

[01:01:37] I also

[01:01:38] didn't

[01:01:39] understand

[01:01:39] why

[01:01:39] if she's

[01:01:40] taking the

[01:01:40] train to

[01:01:41] Uti

[01:01:41] why she's

[01:01:42] dressing up

[01:01:43] already as

[01:01:43] the old

[01:01:44] lady

[01:01:44] before she

[01:01:45] gets on

[01:01:45] the train

[01:01:46] you know

[01:01:46] and changes

[01:01:47] while she

[01:01:48] gets to

[01:01:49] meet Salman

[01:01:50] and then

[01:01:50] changes

[01:01:50] back into

[01:01:51] the old

[01:01:51] lady

[01:01:52] yeah

[01:01:54] speaking of

[01:01:55] doesn't

[01:01:56] make sense

[01:01:56] I have

[01:01:57] this one

[01:01:58] big problem

[01:01:58] in this

[01:01:59] movie

[01:01:59] well

[01:02:00] other than

[01:02:01] a lot

[01:02:01] of things

[01:02:02] but

[01:02:02] at one

[01:02:03] point

[01:02:04] Tej Sapru

[01:02:04] is trying

[01:02:05] to rape

[01:02:06] Madhuri

[01:02:06] and Salman

[01:02:07] comes and

[01:02:07] saves

[01:02:07] him right

[01:02:08] and then

[01:02:09] you see

[01:02:09] Salman's

[01:02:10] hand is

[01:02:10] cut

[01:02:10] and Madhuri

[01:02:11] dies

[01:02:11] so that

[01:02:13] scene

[01:02:13] happens

[01:02:13] so it

[01:02:14] is already

[01:02:15] established

[01:02:15] that this

[01:02:16] guy is

[01:02:16] the villain

[01:02:17] and Madhuri

[01:02:17] almost survived

[01:02:19] an attempt

[01:02:20] to rape

[01:02:21] and then

[01:02:22] at some

[01:02:23] other point

[01:02:24] these two

[01:02:24] sort of

[01:02:25] co-conspire

[01:02:26] in a way

[01:02:27] to do

[01:02:28] the

[01:02:28] jaydat

[01:02:29] harapo

[01:02:29] from

[01:02:30] the

[01:02:30] dhakur

[01:02:31] so why

[01:02:32] is Madhuri

[01:02:33] again

[01:02:34] on the

[01:02:35] team of

[01:02:36] this

[01:02:37] villain

[01:02:37] I didn't

[01:02:38] understand

[01:02:38] how would

[01:02:39] that make

[01:02:40] sense

[01:02:40] I think

[01:02:41] he was

[01:02:41] going to

[01:02:41] expose her

[01:02:42] and that's

[01:02:43] why she

[01:02:44] was acting

[01:02:44] like she

[01:02:45] was

[01:02:45] yeah

[01:02:47] I think

[01:02:48] that's what

[01:02:49] I understood

[01:02:50] it

[01:02:51] they just

[01:02:51] sat and

[01:02:52] had a meal

[01:02:53] yeah you

[01:02:54] tried to

[01:02:54] rape me

[01:02:55] previously

[01:02:55] but now

[01:02:56] we can

[01:02:56] just you

[01:02:57] know

[01:02:57] be

[01:02:57] civilized

[01:02:58] about it

[01:03:01] exactly

[01:03:03] in the

[01:03:04] show

[01:03:04] there's

[01:03:05] little

[01:03:05] little

[01:03:05] things

[01:03:05] yeah

[01:03:06] and

[01:03:07] Tate

[01:03:07] Sapru

[01:03:07] has no

[01:03:08] chill

[01:03:08] like

[01:03:09] he was

[01:03:10] just

[01:03:10] driving

[01:03:10] her

[01:03:11] home

[01:03:12] and then

[01:03:12] like

[01:03:13] no

[01:03:13] we'll

[01:03:14] go to

[01:03:14] my

[01:03:14] farmhouse

[01:03:15] now

[01:03:16] what

[01:03:17] is

[01:03:17] going

[01:03:17] on

[01:03:18] yeah

[01:03:18] it's

[01:03:19] one of

[01:03:20] those

[01:03:20] sequences

[01:03:20] where you

[01:03:21] know

[01:03:21] Salman

[01:03:21] is

[01:03:21] gonna

[01:03:22] come

[01:03:22] and

[01:03:22] save

[01:03:22] the

[01:03:22] thing

[01:03:23] right

[01:03:23] and

[01:03:23] it's

[01:03:24] also

[01:03:24] funny

[01:03:24] why

[01:03:25] Salman

[01:03:25] saves

[01:03:26] her

[01:03:26] and

[01:03:27] then

[01:03:27] he

[01:03:27] starts

[01:03:27] getting

[01:03:28] really

[01:03:28] pissed

[01:03:28] off

[01:03:28] at

[01:03:28] her

[01:03:29] why

[01:03:29] he

[01:03:29] had

[01:03:29] to

[01:03:29] save

[01:03:29] her

[01:03:30] you know

[01:03:34] also

[01:03:36] Mahathur

[01:03:37] is

[01:03:37] like

[01:03:37] you

[01:03:37] saved

[01:03:38] me

[01:03:38] now

[01:03:38] but

[01:03:38] that

[01:03:38] was

[01:03:39] my

[01:03:39] ride

[01:03:40] home

[01:03:40] so

[01:03:41] can

[01:03:41] you

[01:03:41] drive

[01:03:41] me

[01:03:42] to

[01:03:42] my

[01:03:42] ass

[01:03:42] room

[01:03:43] yeah

[01:03:45] I

[01:03:45] think

[01:03:46] 60%

[01:03:47] of the

[01:03:48] reason

[01:03:48] why

[01:03:48] Salman

[01:03:49] signed

[01:03:50] for

[01:03:50] this

[01:03:50] movie

[01:03:50] is

[01:03:51] to

[01:03:51] ride

[01:03:52] that

[01:03:52] trail

[01:03:52] bike

[01:03:53] that

[01:03:53] he's

[01:03:53] riding

[01:03:54] that

[01:03:54] was

[01:03:54] cool

[01:03:54] he

[01:04:21] the

[01:04:21] songs

[01:04:21] a

[01:04:22] little

[01:04:22] bit

[01:04:22] then

[01:04:22] yeah

[01:04:23] you've

[01:04:24] not

[01:04:25] seen

[01:04:25] these

[01:04:25] songs

[01:04:26] before

[01:04:26] this

[01:04:27] was

[01:04:27] new

[01:04:28] for

[01:04:28] you

[01:04:50] I

[01:04:52] oh

[01:04:52] my

[01:04:54] god

[01:04:54] this

[01:04:54] I've

[01:04:55] been

[01:04:55] playing

[01:04:56] this

[01:04:56] title

[01:04:56] track

[01:04:57] all

[01:04:57] week

[01:04:58] long

[01:04:58] this

[01:04:59] is

[01:04:59] my

[01:05:00] jam

[01:05:00] and

[01:05:01] I

[01:05:01] think

[01:05:02] Kumar

[01:05:02] Shanu's

[01:05:03] voice

[01:05:04] along

[01:05:04] with

[01:05:05] Alkay

[01:05:05] Agnik

[01:05:06] to

[01:05:06] this

[01:05:07] sort

[01:05:07] of

[01:05:08] an

[01:05:08] arrangement

[01:05:09] and

[01:05:10] the

[01:05:10] whole

[01:05:10] setting

[01:05:11] of

[01:05:11] Madhuri

[01:05:11] and

[01:05:12] Salman

[01:05:12] dancing

[01:05:12] like

[01:05:13] this

[01:05:13] is

[01:05:14] just

[01:05:15] like

[01:05:16] a

[01:05:16] gift

[01:05:16] from

[01:05:16] the

[01:05:17] 90s

[01:05:17] to

[01:05:17] me

[01:05:17] it's

[01:05:18] specifically

[01:05:19] made

[01:05:19] for

[01:05:19] me

[01:05:20] it

[01:05:20] feels

[01:05:20] like

[01:05:20] that

[01:05:20] you

[01:05:21] know

[01:05:21] I

[01:05:22] freaking

[01:05:23] love

[01:05:23] the

[01:05:23] title

[01:05:23] track

[01:05:25] what

[01:05:25] I

[01:05:25] don't

[01:05:26] like

[01:05:26] is

[01:05:27] why

[01:05:28] are

[01:05:28] Sudesh

[01:05:29] Bostle

[01:05:29] and

[01:05:30] this

[01:05:30] other

[01:05:31] guy

[01:05:31] Mukul

[01:05:31] Agarwal

[01:05:32] who

[01:05:32] sang

[01:05:32] I

[01:05:33] think

[01:05:34] if

[01:05:34] those

[01:05:34] were

[01:05:35] sung

[01:05:35] by

[01:05:35] Kumar

[01:05:35] Shanu

[01:05:36] those

[01:05:36] will

[01:05:36] also

[01:05:37] be

[01:05:37] bigger

[01:05:38] hits

[01:05:38] I

[01:05:38] think

[01:05:39] no

[01:05:40] shade

[01:05:40] to

[01:05:41] these

[01:05:41] people

[01:05:41] who

[01:05:41] tried

[01:05:42] to

[01:05:42] make

[01:05:42] make

[01:05:42] their

[01:05:42] careers

[01:05:42] but

[01:05:43] yeah

[01:05:44] I

[01:05:45] hated

[01:05:46] the

[01:05:46] heck

[01:05:46] out

[01:05:46] of

[01:05:47] Namaste

[01:05:47] Namaste

[01:05:49] I

[01:05:50] think

[01:05:50] it's

[01:05:51] one of

[01:05:51] those

[01:05:51] songs

[01:05:52] that

[01:05:52] they

[01:05:52] can

[01:05:52] use

[01:05:52] as

[01:05:52] torture

[01:05:53] in

[01:05:53] Guantanamo

[01:05:54] way

[01:05:54] just

[01:05:55] like

[01:05:55] scream

[01:05:57] Namaste

[01:05:57] there

[01:05:57] to

[01:05:58] you

[01:05:58] all

[01:05:58] the

[01:05:58] time

[01:06:00] but

[01:06:00] I

[01:06:00] did

[01:06:03] not

[01:06:03] know

[01:06:04] this

[01:06:04] song

[01:06:05] existed

[01:06:05] because

[01:06:06] this

[01:06:06] is

[01:06:06] such

[01:06:06] a

[01:06:07] terrible

[01:06:08] written

[01:06:09] and

[01:06:09] terribly

[01:06:10] sung

[01:06:10] song

[01:06:11] by

[01:06:11] Kudet

[01:06:11] Narayan

[01:06:13] I

[01:06:13] don't

[01:06:13] like

[01:06:14] this

[01:06:14] song

[01:06:14] at

[01:06:14] all

[01:06:14] it's

[01:06:15] a

[01:06:15] very

[01:06:15] you

[01:06:16] said

[01:06:18] throwback

[01:06:18] to

[01:06:21] but

[01:06:23] also

[01:06:23] like

[01:06:24] is

[01:06:26] what

[01:06:26] they're

[01:06:26] trying

[01:06:27] to

[01:06:27] do

[01:06:27] yeah

[01:06:29] no

[01:06:29] he

[01:06:29] had

[01:06:30] quite

[01:06:30] a few

[01:06:31] good

[01:06:31] songs

[01:06:31] Mukesh

[01:06:32] Agarwal

[01:06:32] at

[01:06:32] that

[01:06:32] moment

[01:06:33] like

[01:06:33] he

[01:06:33] was

[01:06:34] yeah

[01:06:37] I

[01:06:38] was

[01:06:38] it's

[01:06:39] a

[01:06:39] very

[01:06:40] different

[01:06:41] sounding

[01:06:42] voice

[01:06:42] right

[01:06:42] but

[01:06:44] it

[01:06:44] was

[01:06:44] like

[01:06:44] yeah

[01:06:45] it's

[01:06:50] that's

[01:06:50] like

[01:06:50] such

[01:06:51] a

[01:06:51] big

[01:06:51] track

[01:06:51] too

[01:06:51] right

[01:06:52] so

[01:06:52] he

[01:06:52] had

[01:06:52] like

[01:06:53] a

[01:06:53] little

[01:06:53] moment

[01:06:53] I

[01:06:54] also

[01:06:54] thought

[01:06:54] like

[01:06:55] when

[01:06:55] I

[01:06:55] was

[01:06:56] listening

[01:06:57] to

[01:06:57] the

[01:06:58] first

[01:06:58] song

[01:06:59] the

[01:07:00] Jeep

[01:07:00] song

[01:07:01] right

[01:07:01] what's

[01:07:01] it

[01:07:01] called

[01:07:03] that's

[01:07:04] sung by

[01:07:04] Udit

[01:07:05] Narayan

[01:07:05] yeah

[01:07:07] Udit

[01:07:07] Narayan

[01:07:08] and Salman

[01:07:08] don't

[01:07:09] go

[01:07:09] together

[01:07:10] like

[01:07:10] the

[01:07:14] for

[01:07:14] me

[01:07:14] at

[01:07:15] all

[01:07:15] there's

[01:07:16] just

[01:07:16] something

[01:07:16] that

[01:07:17] the

[01:07:18] physicality

[01:07:18] of it

[01:07:19] doesn't

[01:07:19] work

[01:07:20] yeah

[01:07:22] even

[01:07:22] Shah Rukh

[01:07:23] pulls

[01:07:23] it off

[01:07:24] but

[01:07:24] Samman

[01:07:25] with

[01:07:25] Udit

[01:07:25] doesn't

[01:07:25] work

[01:07:26] Kumar

[01:07:27] Shanu

[01:07:27] works

[01:07:28] completely

[01:07:28] and

[01:07:29] SP

[01:07:29] Bala

[01:07:29] is

[01:07:30] SP

[01:07:30] Bala

[01:07:30] of course

[01:07:31] even

[01:07:32] Mukol Agarwal

[01:07:33] works for

[01:07:34] me

[01:07:34] but

[01:07:34] because

[01:07:35] I really

[01:07:36] like

[01:07:36] Kam Se

[01:07:36] Kam

[01:07:36] I really

[01:07:37] like

[01:07:37] Kam Se

[01:07:38] Kam

[01:07:38] itna

[01:07:38] ka

[01:07:38] hota

[01:07:39] especially

[01:07:40] the little

[01:07:40] finger

[01:07:40] wagging

[01:07:41] dance

[01:07:44] I

[01:07:47] think

[01:07:48] they

[01:07:48] brought

[01:07:49] Sudesh

[01:07:49] Mosle

[01:07:49] for

[01:07:50] Mujay

[01:07:51] Kuch

[01:07:51] Kaina

[01:07:51] because

[01:07:52] they

[01:07:52] wanted

[01:07:52] him

[01:07:53] to

[01:07:53] sing

[01:07:53] for

[01:07:54] Anupam

[01:07:54] Kher

[01:07:54] also

[01:07:55] in the

[01:07:56] same

[01:07:56] song

[01:07:56] and

[01:07:57] they

[01:07:57] didn't

[01:07:57] hire

[01:07:58] two

[01:07:58] different

[01:07:58] singers

[01:07:59] so

[01:07:59] there's

[01:08:00] like

[01:08:00] Sudesh

[01:08:00] to

[01:08:00] kar

[01:08:01] le

[01:08:01] yeah

[01:08:01] yeah

[01:08:02] it's

[01:08:03] I do

[01:08:03] have

[01:08:04] to

[01:08:04] shout

[01:08:04] out

[01:08:04] you

[01:08:05] said

[01:08:05] you

[01:08:05] know

[01:08:05] like

[01:08:05] you

[01:08:06] don't

[01:08:06] like

[01:08:06] namaste

[01:08:06] namaste

[01:08:07] but

[01:08:08] there

[01:08:08] is

[01:08:08] a

[01:08:08] moment

[01:08:09] where

[01:08:09] Madhuri

[01:08:10] is

[01:08:10] in

[01:08:10] braids

[01:08:11] wearing

[01:08:12] like

[01:08:14] Bastille

[01:08:15] and

[01:08:16] I

[01:08:17] thought

[01:08:17] that

[01:08:17] was

[01:08:17] pretty

[01:08:17] awesome

[01:08:19] yeah

[01:08:21] Madhuri

[01:08:21] is

[01:08:21] just

[01:08:21] so

[01:08:22] good

[01:08:22] man

[01:08:22] she

[01:08:22] can

[01:08:22] do

[01:08:22] everything

[01:08:23] right

[01:08:23] when

[01:08:24] she's

[01:08:25] doing

[01:08:25] Madonna

[01:08:26] she's

[01:08:26] doing

[01:08:26] these

[01:08:27] breakdance

[01:08:27] kind

[01:08:27] of

[01:08:27] moves

[01:08:28] she's

[01:08:28] doing

[01:08:28] the

[01:08:28] breakdance

[01:08:29] moves

[01:08:29] when

[01:08:29] she's

[01:08:29] doing

[01:08:30] let's

[01:08:31] talk

[01:08:31] about

[01:08:31] sex

[01:08:31] and

[01:08:32] then

[01:08:32] she

[01:08:32] can

[01:08:33] do

[01:08:33] the

[01:08:33] classical

[01:08:33] dancing

[01:08:34] the

[01:08:34] Bollywood

[01:08:34] dancing

[01:08:35] and

[01:08:35] then

[01:08:35] she's

[01:08:36] doing

[01:08:36] the

[01:08:36] 5-6-7-8

[01:08:37] thing

[01:08:37] which

[01:08:37] is

[01:08:44] the

[01:08:45] dance

[01:08:45] of

[01:08:46] this

[01:08:46] movie

[01:08:46] is

[01:08:46] off

[01:08:46] the

[01:08:47] charts

[01:08:47] Saroj

[01:08:48] Khan

[01:08:48] is

[01:08:48] at

[01:08:48] the

[01:08:48] top

[01:08:49] of

[01:08:49] her

[01:08:49] game

[01:08:49] the

[01:08:50] dancing

[01:08:50] bits

[01:08:51] of

[01:08:51] this

[01:08:51] movie

[01:08:51] where

[01:08:51] Madhuri

[01:08:52] gets to

[01:08:52] dance

[01:08:53] is a

[01:08:53] completely

[01:08:54] different

[01:08:54] movie

[01:08:55] than

[01:08:56] the

[01:08:56] rest

[01:08:56] of

[01:08:56] the

[01:08:57] movie

[01:08:57] and

[01:08:58] yeah

[01:08:58] and it

[01:08:59] shows

[01:08:59] like

[01:08:59] again

[01:09:00] coming

[01:09:01] back

[01:09:01] to

[01:09:02] yeah

[01:09:06] any

[01:09:07] final

[01:09:07] notes

[01:09:08] on

[01:09:08] should

[01:09:09] people

[01:09:10] go

[01:09:10] watch

[01:09:11] it

[01:09:11] what

[01:09:11] do

[01:09:11] you

[01:09:11] feel

[01:09:11] friends

[01:09:13] don't

[01:09:13] let

[01:09:13] friends

[01:09:14] watch

[01:09:15] what

[01:09:19] about

[01:09:20] your

[01:09:20] notes

[01:09:21] I'll

[01:09:21] be the

[01:09:22] pied

[01:09:22] piper

[01:09:23] who

[01:09:33] Anupam

[01:09:34] Khair

[01:09:34] has

[01:09:35] this

[01:09:35] misunderstanding

[01:09:36] that

[01:09:36] is

[01:09:37] Banja

[01:09:37] and

[01:09:37] everybody

[01:09:37] is

[01:09:37] trying

[01:09:38] to

[01:09:38] rip

[01:09:38] him

[01:09:38] off

[01:09:38] and

[01:09:39] they

[01:09:39] have

[01:09:40] ended

[01:09:41] their

[01:09:42] relationship

[01:09:43] on a

[01:09:43] bad

[01:09:43] note

[01:09:44] and

[01:09:44] then

[01:09:44] obviously

[01:09:45] the

[01:09:45] villains

[01:09:46] come

[01:09:46] and

[01:09:46] fight

[01:09:47] and

[01:09:47] Salman

[01:09:47] tries

[01:09:48] to

[01:09:48] sacrifice

[01:09:48] himself

[01:09:49] to

[01:09:49] save

[01:09:49] his

[01:09:50] uncle

[01:09:50] and

[01:09:50] whatever

[01:09:51] and

[01:09:52] Anupam

[01:09:53] Khair's

[01:09:53] name

[01:09:53] is

[01:09:54] Thakur

[01:09:55] Ranbir

[01:09:55] Singh

[01:09:55] Chaudhary

[01:09:56] at

[01:09:57] this

[01:09:57] point

[01:09:57] when he

[01:09:58] tries

[01:09:58] to

[01:09:59] outside

[01:09:59] the

[01:09:59] hospital

[01:10:00] he's

[01:10:00] praying

[01:10:00] to

[01:10:02] the

[01:10:02] statue

[01:10:03] with

[01:10:03] baby

[01:10:04] Jesus

[01:10:05] Lawrence

[01:10:06] D'Souza

[01:10:06] you are

[01:10:07] a

[01:10:07] cinematic

[01:10:08] god

[01:10:08] for

[01:10:08] introducing

[01:10:09] pseudo

[01:10:09] secularism

[01:10:10] out of

[01:10:11] all

[01:10:12] the

[01:10:12] things

[01:10:13] yeah

[01:10:15] yeah

[01:10:15] it's

[01:10:16] it's

[01:10:17] it's

[01:10:17] a trip

[01:10:17] I think

[01:10:18] a lot

[01:10:18] of

[01:10:18] people

[01:10:18] were

[01:10:19] you know

[01:10:20] really

[01:10:20] looking

[01:10:21] forward

[01:10:21] to

[01:10:21] we

[01:10:21] put

[01:10:22] this

[01:10:22] as

[01:10:22] a

[01:10:22] vote

[01:10:22] I

[01:10:23] was

[01:10:23] hoping

[01:10:23] we

[01:10:23] would

[01:10:23] vote

[01:10:24] for

[01:10:24] Bagi

[01:10:24] which

[01:10:24] is

[01:10:25] a

[01:10:25] movie

[01:10:25] I

[01:10:25] want

[01:10:25] to

[01:10:25] revisit

[01:10:27] for

[01:10:27] the

[01:10:27] podcast

[01:10:28] I

[01:10:33] we

[01:10:33] can

[01:10:33] talk

[01:10:34] about

[01:10:34] it

[01:10:34] afterwards

[01:10:35] I

[01:10:35] am

[01:10:35] not

[01:10:36] watching

[01:10:36] it

[01:10:37] although

[01:10:37] I

[01:10:37] really

[01:10:37] want

[01:10:38] to

[01:10:38] watch

[01:10:38] it

[01:10:38] because

[01:10:38] I

[01:10:38] love

[01:10:39] Bagi

[01:10:40] people

[01:10:41] were

[01:10:41] like

[01:10:41] let's

[01:10:42] go for

[01:10:42] Dilteyarashik

[01:10:43] because

[01:10:43] Madhuri

[01:10:43] is there

[01:10:43] and

[01:10:44] there were

[01:10:44] some

[01:11:04] forgettable

[01:11:04] movie

[01:11:05] me and

[01:11:07] Sujoy

[01:11:07] were

[01:11:07] talking

[01:11:08] about

[01:11:08] it

[01:11:08] when

[01:11:08] he

[01:11:08] was

[01:11:09] watching

[01:11:09] it

[01:11:09] I

[01:11:10] had

[01:11:10] already

[01:11:10] seen

[01:11:10] it

[01:11:10] I

[01:11:11] think

[01:11:11] you

[01:11:11] have

[01:11:11] to

[01:11:11] watch

[01:11:12] it

[01:11:12] as

[01:11:12] oh

[01:11:13] this

[01:11:13] is

[01:11:13] like

[01:11:13] a

[01:11:13] theatrical

[01:11:14] comedic

[01:11:14] farce

[01:11:15] there

[01:11:16] are

[01:11:16] no

[01:11:16] stakes

[01:11:16] there

[01:11:17] are

[01:11:17] no

[01:11:17] big

[01:11:18] stories

[01:11:18] they're

[01:11:18] just

[01:11:18] set

[01:11:19] pieces

[01:11:19] that

[01:11:19] are

[01:11:19] happening

[01:11:20] but

[01:11:20] a

[01:11:20] very

[01:11:20] small

[01:11:21] cast

[01:11:21] and

[01:11:22] that's

[01:11:22] how

[01:11:23] you

[01:11:23] watch

[01:11:23] it

[01:11:23] they

[01:11:24] don't

[01:11:24] make

[01:11:24] these

[01:11:24] movies

[01:11:25] anymore

[01:11:26] and

[01:11:26] I

[01:11:26] think

[01:11:26] there's

[01:11:33] hot

[01:11:33] stars

[01:11:34] doing

[01:11:34] their

[01:11:34] thing

[01:11:35] working

[01:11:35] on

[01:11:35] chemistry

[01:11:36] but

[01:11:36] also

[01:11:37] like

[01:11:37] Lawrence

[01:11:38] D'Souza

[01:11:38] put

[01:11:38] some

[01:11:39] effort

[01:11:39] even

[01:11:40] with

[01:11:41] the

[01:11:41] most

[01:11:41] generous

[01:11:41] viewings

[01:11:42] of

[01:11:42] this

[01:11:42] doesn't

[01:11:43] pass

[01:11:44] muster

[01:11:44] and

[01:11:44] even

[01:11:44] in

[01:11:45] terms

[01:11:45] of

[01:11:45] other

[01:11:46] movies

[01:11:47] that

[01:11:47] Lawrence

[01:11:47] D'Souza

[01:11:48] has

[01:11:48] done

[01:11:48] this is

[01:11:49] probably

[01:11:50] one of

[01:11:50] the

[01:11:50] weaker

[01:11:50] ones

[01:11:51] right

[01:11:51] like

[01:11:51] oh

[01:11:52] absolutely

[01:11:53] I

[01:11:53] mean

[01:11:54] especially

[01:11:54] if you

[01:11:55] compare

[01:11:55] it to

[01:11:55] Sajan

[01:11:56] and stuff

[01:11:56] like

[01:11:56] that

[01:11:56] you know

[01:11:57] what

[01:11:57] else

[01:11:58] did

[01:11:58] he

[01:11:58] do

[01:11:58] he

[01:11:58] did

[01:12:00] I'm

[01:12:03] nothing

[01:12:04] of

[01:12:04] it

[01:12:04] is

[01:12:04] great

[01:12:04] to

[01:12:05] be

[01:12:05] honest

[01:12:05] he

[01:12:06] did

[01:12:06] 17

[01:12:07] movies

[01:12:10] Sapne

[01:12:11] Sajan

[01:12:11] Ke

[01:12:12] Sajan

[01:12:12] Sangram

[01:12:13] I seem

[01:12:14] to remember

[01:12:14] that movie

[01:12:15] Sangram

[01:12:17] and then

[01:12:18] everything

[01:12:19] like

[01:12:19] Arzu

[01:12:20] that was

[01:12:20] the last

[01:12:21] one

[01:12:21] that he

[01:12:21] did

[01:12:22] with

[01:12:23] Madhuri

[01:12:24] Akshay

[01:12:25] wasn't

[01:12:25] there too

[01:12:26] yeah

[01:12:26] that was

[01:12:28] also a

[01:12:29] Sajan

[01:12:29] kind of

[01:12:30] thing

[01:12:30] no

[01:12:30] that was

[01:12:31] the other

[01:12:31] one

[01:12:31] with

[01:12:32] wow

[01:12:33] what's

[01:12:33] going on

[01:12:34] in this

[01:12:34] like

[01:12:34] I'm

[01:12:34] seeing

[01:12:35] he

[01:12:35] also

[01:12:35] did

[01:12:35] Papi

[01:12:36] Gudiya

[01:12:36] which

[01:12:37] you know

[01:12:38] it's

[01:12:38] like a

[01:12:38] B-movie

[01:12:39] classic

[01:12:39] is it

[01:12:40] yeah

[01:12:41] okay

[01:12:42] it's

[01:12:42] a

[01:12:42] Chucky

[01:12:42] copy

[01:12:43] no

[01:12:44] okay

[01:12:45] I'm

[01:12:45] just

[01:12:46] going

[01:12:46] through

[01:12:46] the

[01:12:46] Arzu

[01:12:47] screenshots

[01:12:48] on

[01:12:48] IMDV

[01:12:49] and you

[01:12:49] have

[01:12:49] like

[01:12:49] Madhuri

[01:12:50] is in

[01:12:50] a tub

[01:12:51] and

[01:12:51] Akshay

[01:12:52] is bare

[01:12:52] chested

[01:12:53] and then

[01:12:53] they're

[01:12:53] making

[01:12:53] out

[01:12:54] under

[01:12:54] a

[01:12:54] shower

[01:12:56] where

[01:12:57] is

[01:12:58] Arzu

[01:12:58] streaming

[01:12:58] I

[01:12:59] said

[01:13:02] yeah

[01:13:03] okay

[01:13:03] that

[01:13:04] was

[01:13:04] it

[01:13:04] for

[01:13:04] Dil

[01:13:05] Tera

[01:13:05] Ashik

[01:13:05] and

[01:13:06] that

[01:13:06] was

[01:13:06] it

[01:13:06] for

[01:13:06] episode

[01:13:07] 250

[01:13:08] I

[01:13:09] think

[01:13:09] we

[01:13:09] were

[01:13:10] pretty

[01:13:10] much

[01:13:22] so

[01:13:23] I

[01:13:23] hope

[01:13:23] you

[01:13:24] guys

[01:13:24] enjoyed

[01:13:24] it

[01:13:24] drop

[01:13:25] us

[01:13:25] an

[01:13:25] email

[01:13:25] at

[01:13:25] you

[01:13:25] podcasting

[01:13:26] at

[01:13:26] gmail.com

[01:13:27] Amrita

[01:13:27] where can

[01:13:27] people find

[01:13:28] you online

[01:13:29] you can

[01:13:30] find me

[01:13:30] on

[01:13:31] twitter

[01:13:31] or also

[01:13:33] on

[01:13:33] bluesky

[01:13:34] at

[01:13:35] Amrita

[01:13:36] IQ

[01:13:38] you can

[01:13:39] find me

[01:13:40] on all

[01:13:40] my

[01:13:40] socials

[01:13:41] at

[01:13:41] 93k

[01:13:41] and

[01:13:42] you

[01:13:42] can

[01:13:42] follow

[01:13:42] khandan

[01:13:43] podcast

[01:13:43] on

[01:13:43] all

[01:13:43] our

[01:13:44] socials

[01:13:44] at

[01:13:44] khandan

[01:13:45] podcast

[01:13:45] do

[01:13:45] check

[01:13:46] out

[01:13:46] our

[01:13:46] youtube

[01:13:46] channel

[01:13:47] where

[01:13:47] all

[01:13:47] new

[01:13:47] stuff

[01:13:48] is

[01:13:48] dropping

[01:13:48] it'll

[01:13:49] be

[01:13:49] great

[01:13:49] if

[01:13:50] you

[01:13:50] can

[01:13:50] engage

[01:13:51] with

[01:13:51] us

[01:13:51] on

[01:13:52] youtube

[01:13:52] as

[01:13:52] well

[01:13:52] or

[01:13:53] on

[01:13:53] our

[01:13:53] instagram

[01:13:54] accounts

[01:13:55] where

[01:13:55] we

[01:13:55] are

[01:13:55] dropping

[01:13:56] short

[01:13:56] form

[01:13:56] content

[01:13:57] so

[01:13:57] yeah

[01:13:58] yeah

[01:13:58] and

[01:13:59] I

[01:14:19] yeah

[01:14:23] yeah

[01:14:24] yeah

[01:14:25] yeah

[01:14:25] yeah